Keyword Sound Design

Isabella Rossellini, Kyle MacLachlan, Dennis Hopper, Laura Dern, and producer Fred Caruso are interviewed for this 68-minute documentary about the making of David Lynch's Blue Velvet

Explores the elemental phenomenon of sound and its power to bend time, cross borders, and profoundly shape our perception of the world around us.

A look at the legendary Czech sound designer and his profession. Editor and documentary filmmaker Adéla Špaljová has her father Ivo Špalj talk about his life, career, and working methods. Over the course of his long life, sound designer Ivo Špalj (*1940) has collaborated on hundreds of films and become a mentor for at least one generation of men and women behind the mixing board. This gentle documentary also shows “Engi” (as he is known to his colleagues) again working with Jan Švankmajer, whose films he has lent their typical, dense, and sophisticated sound mix.

A quiet bus ride home from the city library turns into an aural nightmare for a book-reading commuter. With every stop the bus fills with people and sounds, becoming a chaotic cacophony joyful to everyone but her. Only when the bus finally reaches her seaside stop does she find escape, slipping back into her natural habitat where we discover she is not the average commuter.

Go inside the sound design of Star Wars: The Last Jedi. From the ignition of a lightsaber to the chirp of a porg, Star Wars would not be the same without the brilliant sound design and mixing created by Skywalker Sound.

After tragedy strikes a bustling London neighbourhood, disarray ensues, and our hero becomes lost to their pain. A cherub-like spectre soon appears, embodying the change the community desperately craves. All bear witness as winds of hope and unity take shape and the seeds are sown for their growth out of grief

A routine tree inspection unexpectedly gives way to a journey into the deep. Set in a hidden subterranean world, ‘Sub Terra’ is the haunting mystery of a cryptic first-person perspective.

A documentary about the BBC Radiophonic Workshop, responsible for creating some of the most memorable television and radio music in British popular culture, including "The Hitchhiker's Guide to the Galaxy" and Doctor Who (1963).

The amazing story of electronic music: its epic journey from its origins in Europe, at the hands of the great artists of the post-war classical avant-garde, to the great post-industrial cities of the USA, where this genre of genres took over music stores, shady clubs and, eventually, the big stages.

A fallen star, Chantal is looking for inspiration when they finally decides to leave their den.

Sam Green's intimate portrait of Annea Lockwood shares with us a glimpse into the enthralling world of sound that she has been exploring and creating for many years. It is a touching and personal story of imagination and love.

Zero One is a code-based generative video commissioned by Zero One Technology Festival 2018 in Shenzhen, PR China. This project consists of multiple interlinked generative systems, each of which has its customized features, but collectively share the core concept of an evolving elementary cellular automaton.

Ninety-year-old sound artist and comedian Henry “Sandy” Jacobs lives a quirky existence at the end of Sunnyside Drive, a steep and winding dirt road washed by fog from the Pacific Ocean. Sixty feet down the hill lives his eccentric 84-year-old friend and neighbor, architect and former Frank Lloyd Wright collaborator Daniel Liebermann. These extraordinary old men, influential artists in the 1950s and ’60s, continue, each in their own way, to search the world for perfection. Sunnyside takes us to an extraordinary place, a microcosm with its own distinctive rhythm and remarkable inhabitants. It is a film about creativity, the capacity to dream and, ultimately, the transience of life.

Supernatural visions and indigenous folk myths intrude in an unpredictable and dreamlike Mexican film about a family living in the shadow of the apocalypse. A living, organic work.

A visual and auditory inferno

Catatonik is a multi sensory installation project which becomes part of my final study for the course design for social change. It is an attempt at trying to build spatial and sensorial elements which lets the body feel the microcosms of experiencing part of a coal mine and in turn an ingrained empathy as the effect of the experience. A consciously designed installation set to present the physicality of a place purely through an ethnographic reconstruction of sound and image in a different fabric of reality informed through research. The installation was entirely made in the campus of DJAD both the recording of the audio, video and its related textures.