Charm School 2007
Defiant 18-year-old Adela León pushes her father and an unbending headmistress to the limit in this delicious comedy.
Defiant 18-year-old Adela León pushes her father and an unbending headmistress to the limit in this delicious comedy.
While navigating daily discrimination, a filmmaker who inhabits and loves her unusual body searches the world for another person like her, and explores what it takes to love oneself fiercely despite the pervasiveness of ableism.
Six extra-ordinary people from around the world reveal their bodies and share their secrets in a unique experiment in search of their inner selves.
Once 8 year old Simon gets shrunk down to a microscopic level by a talking teddy bear, he ventures into the body of his ailing grandfather in search of the source of his illness.
After a series of murders begin to happen at Gregory Hills school, a group of friends decide to investigate the bodies, thus beginning a great search for the truth and discovering the real killer.
On February 12, 2021, Maya and Andi got married after going through a month-long Taaruf process. Right after moving into their new home and starting their life together, they began to experience strange occurrences. They started finding dead animals in the house, heard sounds of objects falling on the roof, and Andi felt an unusual heat in the house. Andi began to fall ill, experiencing nightmares, visual and auditory hallucinations, coughing up blood, and eventually becoming unable to stand or walk. Maya, who was then pregnant, had to take care of Andi. They sought various medical and alternative treatments to heal him, but Andi's condition continued to deteriorate, putting both their lives at risk. The witchcraft they were experiencing was not yet over. This is a true story.
A spiral of dreams and ages unravel as two celestial characters awaken and transmutate into a mythological being.
Laetitia and Yéliz are two teenage girls from a small suburban town who cherish the dream of opening a hairdressing salon together.
A young man returns from the gym and undresses.
Akbari was diagnosed with breast cancer in 2007 and she lost her breasts due to the cancer. After she directed, wrote and acted 10+4 which showed her struggle with the cancer, the depiction of the artists body became central in her works. In the same year, Akbari photographed her own naked body for the photo project titled Devastation. Although it was pretty risky, put herself in danger and prohibited to exhibit Devastation in Iran due to the naked images of her own body, Akbari continued to depict her own body as a new medium and new material so that she provided a video secretly as well. In 2012, after Akbari left Iran due to the barred situation of filmmaking and arresting film makers, she uses the video that shoot secretly from her own body in 2007 and juxtaposed with new images and the song of Ahangaran, who was a singer for the war time between Iran and Iraq. As a result of her action and performance, the video project titled In my country, Men Do Have Breasts happened.
Dance becomes a vehicle to show love's different phases. Amor y Asfixia consists of three scenes that seek to dismantle certain social stereotypes linked to the women's body and its role in dance. It's a short film that experiments with the human body to initiate a bigger discussion.
An experimental film following a trip made by three friends in which the contrast between the agitated city of São Paulo, Brazil and the calmness of the beach leads the flow. No script. No story. Just vibes.
The confluence of words and movement propels this multi-layered collaboration by Atlas, choreographer Douglas Dunn, and poets Anne Waldman and Reed Bye. Dunn's athletic choreography is performed to the rhythms, cadences, and associative meanings of the poets' "cascade of words," which function as music. Atlas introduces narrative references, ironically staging the dance in unexpected locations, including domestic interiors and vehicles. In a self-referential deconstruction that punctures the theatrical illusion, the poets are seen reading their texts and interacting as self-conscious performers within the dance. Atlas and his collaborators intersect the language of words with the language of the body.
Loose impressionistic brushstrokes sketch a series of portraits of two faces, one male and one female, while the verse on the soundtrack tells the tale of both one and a thousand relationships.
A video work which reflects on the conflicting natures of gender, bodies, queerness, algorithms, glitches, and data.
Women’s voices rise to deliver testimonies of victims of sexual violence. By reconstructing a story with these fragments of experience, a societal portrait is painted throughout the documentary. Like a mosaic, the pieces stick together to build a unique story that could belong to any human.
Far from the dictates of current female beauty, MBMR focuses on these other bodies, those who take up space, those that stain, biters, those who devour, those who enjoy as they wish, those age and those who are self-transformed, those who are free and wild. Eight people will reveal the magic,cruel, sensuel, powerful relationship they have with their own bodies.The adventure of the film is multiple: the objective is to give voice and images to women whose body or sexuality is seen as non-standard, unseen or without speaking. The film will highlight possible resistance through an intimate portrait gallery, collective experimentations, tantra, exchange of fluids and knowledge, rituals… A strong political and feminist manifest about body politics, female sexuality and its representation, as well as about diversity and various forms of sexual desire.
Brussels, La Monnaie Opera House. Three people near the end of their lives meet with choreographers, actors and musicians. They take part in a unique experience which involves music, dance and silence. Their journey becomes a tribute to the fragility of the human condition, between reality and representation, tragedy of the body and freedom of the spirit. Together they question their own relationship with death.
C'est pas sorcier is a French educational television program that originally aired from November 5, 1994 to present.
The Body Machine is a landmark special on the human body that shows us just how much, how many, how large, how strong, how fast - just how amazing the body really is. Utilizing impressive large-scale real-life stunts, CGI and strong character stories, the show makes the staggering scale of the inner workings of the body tangible. We will show you how far our blood travels in just one day - an astounding 19, 000 km - from Quebec City to Buenos Aires and back. You will see all the cranial fluid you produce in your lifetime laid out in front of you - all 26,280 pint glasses worth. And in just one day you will take 23,000 breaths - enough air to fill 7,714 helium balloons. You will see all this and much more.