Keyword Aboriginal Mythology

Crocodile Dreaming is a modern day supernatural myth about two estranged brothers, played by iconic Indigenous actors David Gulpill and Tom E. Lewis. Separated at birth, they have different fathers. One is readily accepted as a full-fledged member of the tribe and is looked on to fulfill the duties of jungaiy, an important ceremonial role which obliges him to be caretaker for his mother's dreaming, the crocodile totem. The other, whose father was white, is younger and has had to struggle to fit into the tribe who see him only as a yella fella.

Blending sci-fi and lore, this enigmatic tale centres on the spirits that dwell in a far-flung part of the Australian wilderness, where they protect the land from those who wish to steal from it for personal gain. Director Rhys Day, who grew up in a rainforest town in Far North Queensland, brings a fresh perspective to an ancient tale, aided by stunning landscape cinematography and an eerie, provocative soundtrack.

In the year 2961, the time is after humanity and nature has recovered the land. A hunter named Cygnus is called to rise above his duty. He provides for Last Arc, a once nomadic band of survivors in need of food and water that is now growing scarce. The answer must be found before a group of outlandish Heretics descend upon them. Cygnus must voyage across the treacherous landscape to defend his people. Sent by Nova, the matriarch of the band, she acts based on her vision for Cygnus to find a seed of hope. The future of Last Arc is for him to discover, Cygnus ventures into a hostile landscape in search of an answer for his people. On this journey of encountering many traps and dangers, Cygnus discovers what has been hunting him is his identity.

Moogai is Bundjalung for ‘ghost’, and it is precisely a moogai that intrudes on the quiet home life of Sarah, Fergus and their newborn baby.

The Europeans want to be forgiven for the tragic colonial period. The aborigines try to preserve their ancient roots from the present and the future. In the North Territory.

In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.

Many twentieth century European artists, such as Paul Gauguin or Pablo Picasso, were influenced by art brought to Europe from African and Asian colonies. How to frame these Modernist works today when the idea of the primitive in art is problematic?

In the near future, creatures from ancient Aboriginal mythology endowed with extraordinary physical traits have emerged and must coexist with humans. Known as 'Hairypeople' they battle for survival in a world that wants to exploit and destroy them. One young man – The Cleverman – struggles with his own power and the responsibility to unite this divided world, but he must first overcome a deep estrangement from his older brother.