Keyword Shakespeares Othello

A Shakespearian actor starring as Othello opposite his wife finds the character's jealous rage taking over his mind off-stage.

When a secret marriage is planned between Othello, a Moorish general, and Desdemona, the daughter of Senator Brabantio, her old suitor Roderigo takes it hard. He allies himself with Iago, who has his own grudge against Othello, and the two conspire to bring Othello down. When their first plan, to have him accused of witchcraft, fails, they plant evidence intended to make him believe Desdemona is unfaithful.

Shakespeare’s Othello is revisited exactly as it was written, brought into the present through the power of dialect alone. Iago, Othello, and Desdemona are regrettably still among us, in contemporary events told through a great classic. Set in the early 2000s, it is a timeless story where good and evil intertwine in a maelstrom of deceit, betrayal and mad jealousy.

Iago and a comrade-in-arms are outside the Venice home of Desdemona's father, who does not yet know that she has eloped with Othello. Iago confides to his friend -- who had hoped to marry Desdemona -- that he serves Othello to further his own ends. Venice needs Othello to protect its commercial interests in Cyprus where the Turkish fleet is headed. Desdemona insists on going to Cyprus, too. In Cyprus, Iago plots to convince Othello that Desdemona has betrayed him with Cassio. A lot more than political ambition seems to be motivating Iago.

The evil Iago pretends to be friend of Othello in order to manipulate him to serve his own end in the film version of this Shakespeare classic.

Half-caste bandit Omkara Shukla abducts his lady love, Dolly Mishra, from her family. Thanks to his cleverness, he gets away with the kidnapping. A conspiracy, however, forms against him when he denies his right-hand man, Langda Tyagi, a promotion. Ultimately, this plot threatens not only his relationship with Dolly, but their lives and those of their associates as well.

A contemporary retelling of William Shakespeare's timeless tragedy Othello, exploring the intricacies of human emotions and the consequences of unchecked manipulation, all within a Bengali context.

General Othello's marriage is destroyed when vengeful Ensign Iago convinces him that his new wife has been unfaithful.

The Moorish general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his lieutenant Michael Cassio when in reality it is all part of the scheme of a bitter ensign named Iago.

The earliest British televised production in existence of the play Othello, with black American actor, Gordon Heath, in the title role. This was the first televised version of the play to feature a black actor in the title role. Gordon Heath, an American, came to Britain in 1947 and was cast by Kenneth Tynan to play Othello in his 1950 Arts Council production. The play takes place in Venice and Cyprus and the original production was part-live, with recorded Venice sequences

With freshly rechristened characters and brand-new dialogue, this British TV production of Othello is a "rethinking" of Shakespeare's play, albeit still retaining the original's power and potency. The story is set in the London of the near future, a crime-ridden metropolis virtually torn apart by racial hostilities. By order of the Prime Minister, black police officer John Othello (Eamonn Walker) is promoted to Commissioner, a post dearly coveted by Othello's friend, mentor and fellow officer Ben Jago (Christopher Eccleston). Seething with jealousy, Jago contrives to discredit Othello in the eyes of the public, and to destroy John's interracial marriage to the lily-white Dessie (Keeley Hawes). Among those used as unwitting dupes to gain Jago's ends are Othello's trusted lieutenant, Michael Cass (Richard Coyle), scrupulously honest police constable Alan Roderick (Del Synnott), and Jago's own wife, Lulu (Rachael Stirling).

In the Globe Theatre, Director Ola Ince debuts in the Sam Wanamaker Playhouse with Shakespeare’s confronting look at the destructive impact of institutional racism, toxic masculinity, and a justice system locked in a vicious cycle of self-fulfilling prophecy.

"Othello, a Moor, falls in love with Desdemona but is broken by jealousy falsely encouraged. Shakespeare's most human play sets delicacy and power, trust and jealousy, love and hate, good and evil in stark and tragic opposition. Powerless in the face of their own self destructive instincts, the characters are caught on a downward spiral towards inevitable tragedy."

An evocative and imaginative exploration of the racial tensions in Othello and how the themes in Shakespeare's play still resonate today.

Noble Moroccan Othello finds his life with beautiful, fiercely loyal Desdemona thrown tragically out of balance when secretly jealous, scheming confidante Iago begins an insidious campaign of lies and treachery.

In the Huasteca of Tamaulipas during the most important dance festival of the region, Julia, Huapango national champion, announces her marriage to the distinguished and wealthy rancher Otilio, while Santiago, her dance partner, driven by jealousy and spite, decides to take revenge on the newlyweds.

Even without the benefit of sound, the 1922 German adaptation of Othello seems more operatic than Shakespearean. This may be due to the casting of Emil Jannings, to whom restraint and subtlety were strangers. Werner Krauss, of Cabinet of Dr. Caligari fame, is on hand as the duplicitous Iago. Appearing as the unfortunate Desdemona is Lea Von Lenkeffy, better known as Lya de Putti. Produced on an elaborate scale, Othello may not be true to the letter of Shakespeare, but is undeniably a smorgasbord of visual delights.

Lawyer Federico Fendi has reasons to suspect that his fashion model wife Carla is secretly one of Rome's highest paid call-girls.

Omar and Mokhles are childhood friends, but as of late, a growing sense of Omar's superiority over him drives Mokhles jealous as he tries to ruin both Omar's business and his relationship with Dina.

A fascinating exploration of the literary — The Tragedy of Othello, the Moor of Venice, by English playwright William Shakespeare (1604) — and lyrical — Othello, by Italian opera composer Giuseppe Verdi (1887) — myth of Othello, the desperately tragic story of a Moorish general in the army of the Venetian Republic whose absurd jealousy poisons his love for his wife Desdemona.