Keyword Oil Painting

A San Francisco couple travels to France in search of Pablo Picasso.

A soldier and member of the Dutch resistance investigates stolen art in the wake of the Second World War, including a Vermeer sold to the Nazis by a flamboyant forger.

Margaret (Lena Headey) is a shy, pale, middle-class Englishwoman who is reluctantly engaged to her older, twittish neighbor Syl Monro (David Threlfall). Both bride- and groom-to-be still live with their mothers in the humdrum suburb of Croydon. However Margaret has been acting strangely ever since a vacation in Egypt, where she stayed with her mother's friend Marie-Claire (Catherine Schell). She secretly despises Syl, but does not resist when her mother Monica (Julie Walters), who has repressed the failure of her own matrimony, insists on marriage for the sake of social convention.

Tim Jenison, a Texas based inventor, attempts to solve one of the greatest mysteries in all art: How did Dutch Master Johannes Vermeer manage to paint so photo-realistically 150 years before the invention of photography? Spanning a decade, Jenison's adventure takes him to Holland, on a pilgrimage to the North coast of Yorkshire to meet artista David Hockney, and eventually even to Buckingham Palace. The epic research project Jenison embarques on is as extraordinary as what he discovers.

Art curator George Steele experiences a train wreck...which never happened. Is he cracking up, or the victim of a plot?

What had initially started out as a Jewish revolt against the Roman occupation, quickly turned into a fierce civil war. The combination of religious messianic zeal and the friction between social classes proved disastrous and resulted in the destruction of Jerusalem and the Holy Temple.

Two hapless drifters, Frank and Bruno, team up with Linde to recover her land and trek across 1870's Southern Arizona to find an elusive frontier musician. The complex quantum time theory is blended with philosophical musings about art as the way we understand our history and memories, with gunfights, horses, dance halls, cacti, and saloons!

After the family moved to the new home, their daughter is possessed by a male demon, which is the same man in an old painting.

Taqralik Partridge asks what if every language that had been lost to English — every word, every syllable — grew up out of the ground in flowers? Taqralik’s grandmother’s Scottish Gaelic and her father’s Inuktitut unfold in memories of her family, of pain, and of love.

An old man's vision of a drowning world is clouded. He decides to take radical actions inflicting damage to his surroundings. Instigating a self-destructive chain of events, coming from the dark abyss of his subconsciousness.

According to Bernard Cohn's review, the directors "show that the painter of British society at the beginning of the 18th century was not only ahead of his time in his aesthetic theories, but that he carried within him the signs that allow us to recognize a creator." (Positif, no. 70, June 1965, p. 73.)

Le déjeuner sur l’herbe is simultaneously perceived from four different camera positions in a work which engages with the pro-filmic in order to question documentation, illusion and the film viewing process.

The Joy of Painting was an American television show hosted by painter Bob Ross that taught its viewers techniques for landscape oil painting. Although Ross could complete a painting in half an hour, the intent of the show was not to teach viewers "speed painting". Rather, he intended for viewers to learn certain techniques within the time that the show was allotted. The show began on January 11, 1983, and lasted until May 17, 1994, a year before Ross' death.