A family decides to visit their clan God to cure their daughter, believed to be possessed but in fact is in love with a man from a different caste. The journey accompanied by her betrothed, unveils tensions between tradition and personal freedom, exposing her silent rebellion.
The film explores barriers of class and status stitched in the minds of societies, underscoring a narrative of love that can never be fulfilled. Or can it?
L, a student in India witness to the government's violent response to university protests, writes letters to her estranged lover while he is away.
Amma Rajyam Lo Kadapa Biddalu (Kadapa Children in Mother's Kingdom) is a political satire film directed by Ram Gopal Varma and Siddartha Thatolu. It explores caste, dynasties, religion and their influence on politics in Andhra Pradesh, India.
Narayanappa, a Madhwa Brahmin man, dies in the Agrahara of the village Durvasapura. As per Madhwa customs, his last rites must be performed at the earliest. However, due to Narayanappa's rebellious actions in life, which included eating meat, consuming liquor and marrying a prostitute, there is disagreement amongst the Brahmins of the village as to who will perform his rites.
Ramnarayan Tiwari, a Brahmin (uppermost caste as per the caste system in India) is a peon in a government undertaking, where recently, a Dalit (lower caste), has risen to become a big officer. Tiwari burns with resentment towards this officer’s hierarchical superiority because he considers himself superior as per the religiously ingrained caste system. Tiwari is also frustrated as his promotion has been overdue for years. The officer’s bathroom’s drain has choked. Tiwari tries to look for the official sweeper, also a lower caste man. This role-reversal story is about how Tiwari’s need for promotion, and his caste prejudice towards the officer, counterbalance each other to solve the problem of the choked drain.
The story of ‘blue dogs’ is about two watchful, loyal dogs of some supposed huge mobster, with his work in and around Mumbai. As the story unfolds, their lives of crime gets inexplicably tangled with bigotry, paranoia and delusions.
At times dark, at times disturbing, four short films explore stories of those who dare to dream and desire — and those determined to stand in their way.
