A remarkable woman challenges two centuries of Navy tradition and discrimination, becoming a champion for equal opportunities to serve on-board ship and in combat -- all while rising to the rank of captain and becoming a source of strength to her family.
SLUGFEST emerges as a playful, engaging martial arts experience that delves into the "inner-feminist struggles" that have characterized recent years and decades. Yet, unlike narratives of division, this film champions the concept of unity, emphasizing the dire need for solidarity and deeper mutual respect within feminist discourse. The film's central motif is a stylized, choreographed sparring training that, while aimed at empowerment and self-discovery, can sometimes escalate beyond control. This metaphorical approach isn't about antagonism but represents the passionate debates that fuel progress and understanding, even when they momentarily seem to get out of hand. "There is no losing in martial arts. Either you win or you learn." - as Karate Kid would say today.
'Dressing Room' follows Margot, a burlesque dancer in the 1980s, struggling with the mounting pressure of being a woman performer. Due to looming realities she's facing in her personal life, as well as an unfavourable view of herself in comparison to her fellow dancer Penny, Margot worries about the future of her career. This short is where the male gaze, body image, womanhood, and the spotlight all come to a head.
Born in Ukraine in 2008 in the wake of the "Orange Revolution," the feminist movement Femen fights for democracy, freedom of the press, women's rights, and against corruption, prostitution, sexism, racism, poverty, and religion. The activists quickly caught the attention of the media with their shocking protests. In 2012, at the creation of Femen France, Caroline Fourest followed their actions. They notably affirmed their support for "Marriage for All" by protesting on November 18, 2012, during the demonstration organized by the Civitas Institute against the bill, provoking sharp clashes.
Mesa Posta is a film that lives off the violence of a life, which is shown in the simplicity of the gestures of the person who plays it. The habits, beliefs and moments of this story are told in the act of setting the table, then the brutality of life is confronted by the beauty and the grace of the objects that make it: the table is set as life is told.
A feminist activist organization determined to bring attention to superficiality and the rampant objectification of women in modern American society chooses the 1985 Miss California Beauty Pageant as the site for its disruptive guerrilla demonstration. The group meets in Santa Cruz, Calif., and orchestrates its own competition -- one that attracts media attention and shocks passersby with its thought-provoking and satirical alternate reading of the institution of the American beauty pageant.
