Keyword Japanese Art

Jo Kondo (*1947) is one of the most interesting composers of contemporary music in Japan. His music is composed intuitively and at the same time it is highly abstract. Without clear directionality and at the same time not without form. For a Japanese audience it sounds “Western” and in the West it is regarded “Japanese”. A music in between categories. Like Kondo’s music the film is shifting between places and directions: a concert in the Muziekgebouw in Amsterdam, an elaborate sushi bar in Tokyo, a CD-production in a Cologne radio station, the Zuisenji temple in Kondo’s neighborhood in Kamakura. Kondo wants his music to appear “normal”, without spectacular surface or narrative elements. A concept of “normality” you may also find in the films of Japanese filmmaker Yasujiro Ozu, who – like Kondo – spent most of his life in Kamakura.

A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.

Centuries ago, Tokyo was known as Edo. More than a million people enjoyed life in this small but abundant city. They live on in ukiyo-e woodblock prints. Each episode is a deep dive into a single print, and an exploration of the soul of Old Tokyo. We examine works by artists like Hokusai and Hiroshige not just for their aesthetic and historical value, but for the stories they tell of everyday life. That is how the people of Edo themselves enjoyed this mass-produced medium.