The story of a married American couple who go to the San Sebastian Film Festival. They get caught up in the magic of the festival, the beauty and charm of Spain and the fantasy of movies. She has an affair with a brilliant French movie director, and he falls in love with a beautiful Spanish woman who lives there.
John, a first-time filmmaker, finds himself in Lansing, Michigan to present his film at a local film festival. Vince, his high school friend who is now a volunteer fireman and small-time drug dealer, also visits the town to support John on his big day, or so it seems. After a raucous hello and much backslapping, it appears that there is an undercurrent of tension in the air.
Filip buys an 8mm movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen when he is sent to regional film festivals with his first works but his focus on movie making also leads to domestic strife and philosophical dilemmas.
Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.
Looks at the glamour, red carpets, movies, craziness, stunts, deals, parties and personalities that have been part of the Cannes Film Festival over eight decades, as well as looking to the future.
The series tells the story of the São Paulo International Film Festival, one of the most traditional cultural events in Latin America. For 48 years, the festival has showcased hundreds of films from all over the world, bringing vibrancy to the city. Filmmaker Marina Person provides an irreverent perspective, highlighting the exciting and unusual stories that have marked the festival’s journey of resistance. The series reveals the individuals who have embraced the challenge of organizing this significant cultural event in Brazil every year, despite often challenging conditions. We also delves into how the Mostra has grown to become one of the main festivals globally, shedding light on the changes in cinema, Brazil, and the world over the years.
A documentary which covers Splatterfest ’90, the notorious all-night horror festival held at London’s legendary Scala Cinema.
Lisbon, 1980, the city, the intensity, the chaos, the noise, the crowd. Overwhelmed by the commotion, a young woman sets off in search of peace in the palace gardens of Sintra. Her red umbrella glides across the pearly whiteness of the rising mist.
The sea can be many things; provider of food and work, playmate or harbinger of death. Set in the 1950s in the fishing town of Nazare, the ocean takes different shapes as it interacts with each member of a small family.
A Swedish TV presenter's well-ordered life unravels when she finally confronts her domineering husband about an accusation against him. Her subsequent flight precipitates a chain of lies and paranoia in this taut psychological suspense drama.
Gouranga, a young man in 1960s rural Bengal, embarks on a journey where he encounters not only the local myths about a supernatural presence, but also his own demons which were buried in his past. The film was in the list of TOP 10 Recommended Movies of NFDC Film Bazaar 2023. It also won the Film Bazaar Recommends Award in the Viewing Room Category.
The sun rises in the city of Lisbon, the morning after its biggest festival, Santo Antonio. As the citizens wake up and start their day, the decorations from the party come to life to leave the city.
On a cork oak farm deep in the village of Aldeia Velha, the warm Portuguese sun beams down on the white walls of a family home. Life is sweet here. Cherish these moments spent together.
“It Came from the Tap” is a 4-minute film made with a group of friends for a local 48-hour horror film competition called “Lost Weekend”. For this challenge we were given three rules: we had to include a mask as a prop, the following line of dialogue: “Is this politically correct?”, and lastly, we had to pull a horror sub-genre out of a hat to allow for a different sub-genre for every team. We pulled “Creature-Feature”. The film was eventually screened in one of our local cinema’s.
Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.
Egglantine loves salt on her eggs. Eggbert prefers pepper. Who blinks first in this playful Easter ritual?
A young woman opens an old family cookbook. From the pages appear miniature nuns in pop-up illustrations. The nuns come to life, jumping out of the book, and help the woman prepare convent sweets recipe for her bakery.
In the shop of a chocolate factory, four rabbits trade their kind look for bandanas and gangster style golden chains. They leave to deliver a ransom to deliver their boss.
A warm summer day, bread and wine on the table, it's a portuguese house.
On the hilly lands of Portugal, a fire breaks out. Right after the blaze come the ashes, and following the ashes, the forest begins its rebirth.
Annual episodes chronicling a friend group's experiences at the Toronto International Film Festival over the years.
“Super-Cannes” is set in an ultra-modern high tech business park in the hills above the French Riviera city, famed for its film festival, where a global elite has gathered to form a closed, uber-capitalist and high-tech community.
Experience the Cannes Film Festival from dawn until late night through the eyes and the voice of Messi.
