Special agent Orson Fortune and his team of operatives recruit one of Hollywood's biggest movie stars to help them on an undercover mission when the sale of a deadly new weapons technology threatens to disrupt the world order.
Fugazi, a depressed girl, and Samuel, a boy looking for his missing brother, spend their days watching their city being taken by the army. Meanwhile, an uprising is growing on the streets…
Terrorists strike, an American agent is executed, and our ambassador and his daughter taken hostage. Sounds like a job for Steel's Angels, a crack anti terrorist outfit led by Lt.Col. Steel (retired Lt. Col. Us Army Special Force and much decorated Vietnam war hero) and fronted by some of the sexiest commando's ever to pick up a submachine gun. State-of-the-art weaponry, rockets, fighter planes and action climax that rivals anything on film make RESCUE FORCE a must see for action film fans everywhere.
Kari and Onia meet in Cannes, experiencing love at first sight. Upon returning to Sakartvelo, they are quarantined in different hotels in the midst of the COVID-19 pandemic. They stay in touch via phone calls and video chat. Kari teaches Onia Caucasian Yoga breath training and they travel in past to meet a variety of Georgian historical figures during their important life events, in order to understand the wisdom and limits of love.
Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.
How could the Cannes Film Festival become the biggest cinema event in the world? For 75 years, Cannes has succeeded in this prodigy of placing cinema, its sometimes paltry splendors but also its requirements of great modern art, at the center of everything, as if, for ten days in May, nothing was more important than it. This film tells how Cannes has become the largest film festival in the world by opening up to cinematic modernity while never forgetting that cinema remains a performing art, a popular art.
