Keyword Archive Movie

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

On November 1, 1954, the National Liberation Front of Algeria announced the war for the country's independence. France, colonizer since 1830, hastened to reinforce its military contingent in the four corners of the country and to prevent the advance of the rebels. A little Chaoui, born in a mountainous region of the country, sees his placid childhood collapse in the middle of a crossfire that he does not understand. The story, inspired by real testimonies, is constructed with images from the archives of the French army. From this apparently dissociated dialogue between image and word arises a sensitive homage to the memory that rests in the archives and to the ignored voice of its protagonists.

A cinematic essay interweaving private archive images and a mixture of reflective, speculative and poetic intertitles that, like “an old movie from the 20th century”, invites us to meditate on what Des Pallières once liked to call “our old homeland”.

The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.

A city made of cinema. A cinema that imagines the city of Christmas.

Comprised entirely of re-mastered and colorised archive footage from World War II, much of it never before seen, Sacrifice recounts the story of D-Day through the testimonies of those who lived it. These important historical days are seen through the eyes of French civilians and members of the military fighting on both sides. The testimonies of famous individuals like Dwight D. Eisenhower and Erwin Rommel are intertwined with those of anonymous soldiers and citizens, such as film director Samuel Fuller and Eisenhower's chauffeur, Kay Summersby. From the preparations for D-Day all the way through to the liberation of Paris, the accounts of these men and women provide a moving and invaluable retelling of this pivotal time in history.