Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.
A deranged media mogul is staging international incidents to pit the world's superpowers against each other. Now James Bond must take on this evil mastermind in an adrenaline-charged battle to end his reign of terror and prevent global pandemonium.
New York City newspaper writer J.J. Hunsecker holds considerable sway over public opinion with his Broadway column, but one thing that he can't control is his younger sister, Susan, who is in a relationship with aspiring jazz guitarist Steve Dallas. Hunsecker strongly disapproves of the romance and recruits publicist Sidney Falco to find a way to split the couple, no matter how ruthless the method.
In 1932, the writer Paul Nizan published "The New Watchdogs" to denounce the philosophers and writers of his time who, sheltering behind intellectual neutrality, imposed themselves as true watchdogs of the established order. Today the watchdogs are journalists, editors, and media experts who've openly become market evangelists and guardians of the social order. In a sardonic manner, "The New Watchdogs" denounces this press that, claiming to be independent, objective and pluralist, makes out it is a democratic force of opposition. With forcefulness and precision, the film puts its finger on the increasing danger of information produced by the major industrial groups of the Paris Stock Exchange and perverted into merchandise.
Frustrated, because he is forced to produce bad TV-shows, a manager of a TV-station, enters the station and manipulates the ratings, to initiate a TV-revolution.
In a totalitarian society of the future, in which the government controls all facets of the media, a homicide detective investigates a string of bombings, and finds out more than he bargained for.
How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)
Follow the lives of the Roy family as they contemplate their future once their aging father begins to step back from the media and entertainment conglomerate they control.
The rise and fall of Fox News founder Roger Ailes, focusing primarily on the past decade in which Ailes arguably became the Republican Party’s de facto leader, while flashing back to defining events in his life.
For the first time in over a decade, Erik Menendez opens up with his most in-depth interview to date in a new documentary series that re-examines one of the most fascinating true crime tragedies of the past century through the lens of one of the convicted killers. This riveting series includes extensive phone interviews with Erik as well as rare emotional footage, never-before-seen photos and new interviews with prosecutors, law enforcement, close family, friends and medical experts that chronicle the story you thought you knew.
The incredible story of Rupert Murdoch’s influence on world events and the dramatic personal battle for power at the heart of his own family.
In early 1972, Ita Buttrose and Kerry Packer got together to create a magazine that became one of the most dramatic sensations in Australian publishing history. CLEO Magazine - begun in a "fit of pique" - went on to help define women, Australia and the relationship between the two.
