Novanima Productions

It is the beginning of the school year. At 13 years old, Ben discovers the effects of puberty on his classmates who have changed a lot. Especially Claire, who is now really pretty. Ben would like her to notice him, but he is hung up by his weight and even the school nurse worries about him. Despite his passion for cooking, Ben decides to go on a long and difficult diet. To face the bullying from Max and his gang, Ben can count on the support of his crazy family and his friends Claire, Eric and Sonia. Together, they start a band for the Christmas show, at the end of a year that will have made them all grow up, gain confidence in themselves, in life and in love.

Gabrielle, a 19 years old, finds herself stuck near Death Valley between two parents who no longer speak to each other. The three of them, feeling trapped, try to escape the tension, in a huge scenery that feels unchangeable. The situation seems impossible, until an unexpected event comes to unravel everything...

Under a scorching sun, Charlie is bored out of her mind and dreams of going to the seaside. But she's forced to guard a seedy motel with her cousin Jess, who's slumped in her deckchair. The two teenagers don't get along and bicker at every opportunity. On the radio, the monotone voice of a collapsology researcher predicts the imminent end of the world.

Everybody knows Laughing cow but nobody knows who is the artist behind this famous trademark. Benjamin Rabier (1864-1939) is a French illustrator, comic book artist and animator. He became famous for creating La Vache qui rit (The laughing Cow) and Gédéon le canard (Gideon the duck) he is also one of the pioneers of animated films .

In 1939 a young Romanian woman met a soldier. Love blossomed, but the man was sent to the front. They continued to write passionate letters to each another, but when she had to move they lost contact. She was never able to forget him. Will they ever meet again?

Victim of a terrible plot, Captain Dreyfus was sentenced in December 1894 to deportation for high treason. His wife Lucie made a pact with him: to live, whatever the cost, while awaiting rehabilitation. During five years, the Dreyfus spouses exchanged hundreds of letters. They became a weapon of survival for Alfred. This film is the story of the correspondence of a man and a woman who unwittingly became the unsung heroes of the case that bears their name.

The filmmaker’s grandmother moved into this house in 1971. When Rolande Ségalini died, everything remained as it was during her lifetime. But what to do with all the accumulated things? As her granddaughter Céline begins to film this material legacy, she realises that her grandmother has remained an enigma to her to this day. Room by room, she inventories, classes, counts, sorts the possessions retrieved from wardrobes, drawers, cabinets and boxes and arranges the objects into new still lives. It is an attempt to understand the deceased woman better and find out more about her. Step by step, the heiress discovers various connections to France’s colonial history.

Between the wars, more than eight hundred young Polish women came to Indre-et-Loire to work as farm maids. Their story has come down to us thanks to the letters exchanged by their social worker, Julie Duval. Louis Clergeau, an artisan photographer, whose pictures are scattered throughout this film, gave them a face and a body. This film bears witness to this little-known part of French immigration and tells the bitter fate of these immigrants in the Touraine countryside, whose story still shakes us today.

The journey of the cartoonist Jossot, from Gustave to Abdul Karim, has not finished questioning us about the debates that animate our contemporary society.

The surprising story of how a french law punishing the failure to assist a person in danger was created by Vichy France during World War II.

The day of the cremation of her grand mother, Emilie, a young mixed-race Asian girl, buries herself into her grandmother memories. She discovers the Indochina of Hoa, her romantic encounter with Jacques (a French colon), the birth of Linh (Emilie's mother) and her tragic departure to France in 1956. She relives with Linh the arrival into the camp of Sainte-Livrade, the exploitation of the Indochinese women by the market gardeners of Lot-et-Garonne. Between memories, dance, anger and traditional rituals, Emilie learns to accept this heritage.