GREC

John lives for football and will do anything to make a career, even if it means facing the prejudices of the dressing room about his sexuality.

Jean is a "slow" man, he builds his life around his anxieties, and considers himself unsuited to life in society. He lives with Alex, who is a "fast" man. Passionate about aerodynamics and eurodance, Alex lives fast and asks himself as few questions as possible. One morning, he receives a fast friend, Lou, at their place, while Jean had also planned to receive a slow friend, Caroline.

Two young men in a nearly abandoned suburban landscape deal with the suicide of one of their friends by shotgunning beers and joining a gang.

In Corsica, four girlfriends share the last days of an endless summer. It's hot, too hot to do anything. While they share their secrets, Camille, the youngest of them, says she's pregnant.

In a strange villa, six young people are getting tanned. They are bored and get burnt, lying under the summer sun. They are children of the night, children of dreams. Coming from everywhere and nowhere, they are here, united like a tribe.

In Corsica, a young man who is a fisherman like his late father before him wishes to leave and discover new horizons. A passionate music lover, he is torn between his mother who encourages him to pursue his passion and his grandparents who want him to stay on the island.

An old man, former clown, comes back in the neighborhood where he used to lived for the funeral of his ex-wife, and finds old friends with whom he had lost contact.

It's Tonio's first time in Corsica. He wanders across the island and on dating apps until stumbling upon the Oracle, a user who tells him about gay life in Corsica. Their conversation is reenacted with an actor who seems to connect deeply with the Oracle's story.

A 1990 short film from Alain Guiraudie concerning the conversations of two film makers as they meet each night.

Shots of a sequence of a shooting: young girl who must shed tears.

Alberte has a passionate affair with Mathias, her doctor. He treats her under narcoanalysis to be able to detect a deeper symptom. He enters her without her knowing it and takes possession of his being in order to read what is chasing him, why people blame him, what is the strange disease that inhabits him.

The world falls into chaos after a supernatural darkness descends. In the turmoil of the new reality, Tony fights for survival together with his ailing mother and son.

A college. His teachers and his students. His conflicts and his lies. His images and his words. His looks and his silences.

Fils unique details the emotive relationship between a father and his son who can only communicate their mutual feelings via unspoken words or provocation. It's the confrontation of an adolescent looking for his limits and a father who, through love or cowardice, refuses to set him any. No one is taken in by their silent game in this place "at the end of the world" where apparently nothing could possibly happen to them.

To keep the promise she made to her dying mother, a young woman sets off to find her father, a fickle man she has never known. On the way, she discovers he is in fact dead, but, driven by the bewitching rhythms of the Maloya, a Reunion Island ritual singing and musical tradition, she does not abandon her goal: she must find her father.

In the darkness of their respective rooms, two girls, in love with one another, converse on the Internet. But something is broken.

The feline and weary body of a young girl is surrounded by Christian symbols. Crosses, Sulpician images, miniature altars lose their religious meaning to become merely decorative items. Mixed with plastic toys and photographs, they compose secular still lives. A church service is observed surreptitiously through a ground-floor window, like some strange custom, only to be interrupted by the sound of a moped backfiring, inviting the girl to take flight. This religious setting, often filmed in countershot to the beautiful faces of three teenagers, then gives way to wide shots of the luxuriant nature they are bathed in. Their nimble, young bodies find a perfect refuge in the comfortable branches of a mango tree. But at this age, the thirst for thrills cannot be restricted to a familiar setting. The trio hits the road. Without bothering with narrative dross, Heliconia offers a sensual road-trip and gorgeous tableaux vivants that do justice to film as a medium.

A man trying to get through the Paris traffic meets a woman, somewhere between dream and reality.

A suburb housing. Two girls on the phone are looking for each other but never succeed to meet. One of them vanishes.

A writer has her alarm clock stolen after a sexual encounter.