1970. Beatriz is an 18-year-old student. She is detained by the military dictatorship in Curitiba, Brazil, and tortured for ten days accused of belonging to the subversive student movement and an armed guerrilla that fights against the regime, VAR-Palmares.
Helen, a schizophrenic visual artist, takes refuge in a house preparing for a new production. When her wife, Angela, returns from a trip, Helen's hallucinations are mixed with growing paranoia – indicating that she doesn't believe that the woman in her house is really Angela
Pablo and Miguel, from Las Varillas, see each other after many years in La Cumbre when they are both on vacation with their partners. Secrets will come to light when Pablo's wife discovers why Miguel's presence bothers her husband so much.
From a peculiar narrative, “Esperanza” builds a subtle and simple allegory about the phenomenon of immigration of people from other South American countries to Brazil, in a relationship that reveals places of approximation, but also historical and dramaturgical spaces that point to the effects of a certain imperialism that surrounds such processes. All this concentrated in the suffocated atmosphere of the protagonist.
A view from the people of Curitiba about their city.
