Helen, a schizophrenic visual artist, takes refuge in a house preparing for a new production. When her wife, Angela, returns from a trip, Helen's hallucinations are mixed with growing paranoia – indicating that she doesn't believe that the woman in her house is really Angela
At a time when capitalism seems to have metaphysical values never seen before, it is easier to imagine the end of the world than the end of capitalism. If not, we feel that there is no way out for late capitalism if not the end of the world: a climate catastrophe that will end humanity as we understand it.
Maria eagerly awaits a meeting.
A chaotic record of a vulgar discharge. Too long for nothing to happen.
A dadaistic exercise of the image.
A light leads the way, a book hides secrets.
Longing for a missed connection, a ghostly link to the past appears.
In February 2002, my father and his friend embarked on a trip to a small village on the border between Alagoas and Pernambuco in order to document the families of those who had stayed in Curitiba.
