An American writer in Paris is hired to do a script for an edgy young director he can't stand. When he falls in love with the director's cold and manipulative pretty sister, his life starts to unravel and he realizes that he's been used.
A Jewish boy living in Amsterdam at the onset of World War II is taken to a concentration camp with his parents. Based on the memoir of Holocaust survivor Jona Oberski.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
Georges Deblache, a despondent middle-aged cop, falls for his partner's wife.
A filmmaker engages in a routine series of sexual encounters to pass the time while editing her latest film. When one man refuses to play by her rules, she finds herself inexplicably drawn to him.
A young American falls obsessively in love with a mysterious courtesan named Melania against the backdrop of a dilapidated Eastern European landscape.
A humoristic view of the lives of Marie and Pierre Curie and their discoveries around radioactivity.
Twin brothers arrive in Rio during the Carnival. One is a priest and is going to work in a parish; the other, a drug-dealer, in a business trip to sell cocaine. They’re not aware of each other’s presence. People expecting them always get in touch with the wrong guy.
In this "inside look" at French filmmaking, Marechal - who is a has-been director - a producer, Vito Catene and Camile Dor, a big-name actress, have agreed to make a film about drugs, but don't have a story, financing, or any of the other elements needed to make it. This doesn't stop them; they cobble together the financing and begin shooting anyway. The producer is very fond of the leading actress, and when she gets hooked on drugs for real in the course of shooting what he feels to be a farcical imitation of a film, he gives up his shares in the film and heads off for the back of beyond (Zanzibar) to lick his wounds. To add insult to injury, the film winds up being a critical and commercial success.
Lulu is released from prison. Determined to fulfill her dream, find her kids, those of her best friend who remained locked up and go very far. The former inmate will do everything to carry out the "heist" that will get her the money.
A story about heartbreak, doubt, and love lost.
