Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.
Set in Sarajevo in May 2021, the city's famous Old Town tries to recover after a difficult pandemic year. When a visitor from Zagreb comes looking for the best kebabs in town, a harmless gesture causes the disintegration of the business and private lives of several people.
Armin has been unemployed for a long time, and in desperately need of a job. His wife Jasmina is pregnant, and his son Edin has behavioral problems at school.
A filmmaking process helps one filmmaker son deal with his emotionally closed father.
Arriving on an island, a young woman embarks on a journey to discover her identity and place in the world. Her experiences on the island unravel a tapestry of past events, bringing hidden truths to light. As the situation grows increasingly complex, she is driven towards a profound reconciliation and acceptance, starting with herself and gradually encompassing those around her.
Mirza, a young Sarajevo orphan, earns easy money by assisting a local drug dealer. Dispatched on a job one day, a chance encounter makes him painfully aware of his despicable role - but equally of the possibility of changing things for the better.
A possessive mother, a loving son, the fiancée's first visit, a mute witness... Four players around a pie.
After many years in Paris, Damir, professional saxophonist, returns to Sarajevo for a unique concert. One of his friends asked him to bring a gift to her best friend, Elma, who is waiting for Damir with surprises...
Five uniquely moving films about motherhood—bubbling up in the grocery store, the cemetery, or even a car ride—come together in this omnibus film set in Sarajevo.
In a sweaty, overcrowded tram in Sarajevo, a shy teenager is beset by every imaginable impediment as he tries to capture the attention of his object of desire. Yet the overheated hero of this wild farce will not be easily defeated.
Edina is a playful story about a one night stand of a writer and his own creation. Due to their adventures the writer losses his superpower for being able to change the character and the story and can’t get away from his perfect women character any more.
A girl – while taking a walk through the centre – discovers something very strange about the people of Sarajevo. They seem like lifeless ’zombies’, they only come alive for a few seconds to perform a little scene written down for them. She takes it as a joke first and fools around until she comes across someone with a paper: „Kill her!” written on it.
After begging her to come back, Azra gets her daughter Lejla back at the airport. In the car, she tells her a surprising news and takes her to an unknown place where mother and daughter will revisit their roles.
A boy and a girl meet in club's toilet. High on drugs, they walk the streets of Sarajevo aimlessly. They end up in an apartment, fooling around, making out, until this careless atmosphere is interrupted by someone else's presence.
Ena, a 10 year old girl, who lives with her young mother and grandmother, has a constant urge to eat something sweet, and she never actually gets to eat some, by the end of the day ending up having a different “culinary”experience with her friend Ado who is in the eve of moving to Frankfurt.
April 1992. Members of a large family strewn around the former Yugoslavia gather around the death bed of their elderly matriarch. She is not well, but the forecast of a family doctor that her death is a matter of minutes away proves incorrect, so the waiting stretches out for days. Relatives start bickering, playing tricks and arguing over the inheritance to be left by the old woman, especially over her large family house in Sarajevo. Despite her deteriorating health, Grandma happily joins the fray. It appears as if that might be what is keeping her alive. Family feuds and intrigues directed against one of the sisters are more important to the family than the clear, terrifying signs of an approaching cataclysm. When the scheming is finally revealed, it is too late. A war has begun in Sarajevo.
Sara firmly disagrees about her granddaughter’s wedding plan. To convince her not to marry, she takes Andrea to her husband grave and begs him for a sign.
Amalia, a girl of thirteen, gets her first period one day before leaving for the seaside with her parents.
In a corner of Sarajevo, children are coming out from the schools. In a terrace, a few locals are playing chess and cards. A blast is heard, like a gunshot. A woman shouts a name. A police car arrives. An ambulance leaves. A child runs home.
The oldest sister is moving abroad for college, and her younger brother and sister start a battle for her little room. They both want to move out of the big room where they sleep with their parents and finally get some privacy.
