British Film Institute Production Board

Unemployed Anthony announces he is joining the police, much to the horror of his girlfriend and friends.

Song tells the story of the women who worked in Victorian London's clothing sweatshops, eschewing a conventional narrative in favour of a series of still photographs and acted reconstructions to show that this story has been rewritten/written-over many times before.

A marital breakdown is brought to life through a mixture of dramatisation, monologue, montage and animation. Through the perspectives of the husband, the lawyer, the couple’s parents and their “home help”, a picture emerges of the transactional nature and economic fall-out of marriage, along with issues of class and gender politics affecting single mothers.

A Southern soldier in the American Civil War is sent to reconnoiter the enemy positions and becomes trapped beneath a huge pile of rubble by Northern cannon fire. His loaded gun is left pointing precariously at him and he is faced with imminent death.

Traces the role of women in British television, from 1946 to 1997.

The idyllic, rural past of a Suffolk village comes to life through the memories of an old man who tends a country graveyard.

A rich and challenging account of the experiences of a German Jewish musician who settled in Britain to escape Nazi persecution. Two of his friends are being sued by a former SS Kommandant, who denies their accusation that he was responsible for the genocide of 300 Belgians. Documentary interviews and archive footage merge with dramatised scenes to create a new way of representing history and memory.

This chilling and provocative faux home movie presents the story of three dissidents and their plan to commit a revolutionary act on film. Bicât and scriptwriter Howard Brenton explore the consequences and co-option of political violence with hard, grubby directness and a pre-punk, semi-nihilistic attack on bourgeois values.

The pressures of her job in a hospital forces a young doctor to abandon a colleague suffering from depression to treat another patient.

Anna follows her absent Mother on her nightly ritual, as she walks round the family house, turning the house lamps on one by one. In the course of the lamp walk, Anna talks about being afraid of the dark and of the secrets that all families and lovers keep from one another.

An elegant film about one man's fears and fantasies regarding HIV testing.

A series of non-dramatic tableaux representing scenes from De Sade's novel.

An Englishwoman travels to a Normandy village to investigate her husband's disappearance.

A girl takes her camera along to a rocky beach, but quickly becomes fascinated with a far stranger mechanical contraption that she finds there.

An anti-short short. On three occassions a man overhears a car accident while relaxing in his room. He reacts with less and less concern to each crash.

Animated retelling of the story of Noah's Ark by political cartoonist Abu.

Inspired by Virginia Woolf, a young writer worries that marriage will hinder her literary ambitions. The film includes extracts from Virginia Woolf's novel To the Lighthouse and her essay Professions for Women, both read by feminist filmmaker and theorist Laura Mulvey.

In and around the tenement blocks and rubbish tips of the Glasgow slums, this short film depicts a young boy’s perspective of his family, his friends and the local ‘bad man’.

An old woman, her grandson, cabbage soup... A man arrives, bearing meat, setting in motion a situation which escalates beyond the point of barter.

An elderly man takes a hypnotic journey through his memories in the moments before his death.