Agence de la Coopération Culturelle et Technique

The Golden Ball is a wonderful children's film that tells of a young boy's dream of being a soccer player. Whenever a match is broadcast live in the village of Makono, Bandian and his brother keep their ears to the transistor radio, spinning a picture of the game from the announcer's commentary much as they fantasize themselves on the field. A gift of a real soccer ball, which Bandian paints gold, like a magical object involves him in a series of adventures which bring him in reach of his dream, but which also require him to make difficult choices.

A now-rich woman returns to her poor desert hometown to propose a deal to the populace: her fortune, in exchange for the death of the man who years earlier abandoned her and left her with his child.

Done in the style of an African folk tale, this film, a collaboration between European and African countries, is said to be among the most elaborate, high tech film in African film. Exquisitely photographed and filled with archetypal figures to create a poetic look at nature's revenge against those who would exploit her. It is set in the forest village of Amanha Lundju, a place where the birth of children is celebrated by the planting of a tree. The trees are considered spiritual twins. But for every tree planted, the rapacious state destroys many more for firewood and lumber.

Back home in Bujumbura with a Parisian diploma in his pocket and expecting to walk into a civil service job, Gito finds himself both unemployed and caught between two women: his current French girlfriend Christine and his local old flame Flora.

In Kouroussa, his native village, little Baba lives happily, between Madou, his father, a gifted mechanic, Kouda, his sweet mother, and his gang of pals. Kouroussa is a wonderful place where Baba learns about life. But like all little boys Baba grows and now he is old enough to continue his studies in Conakry. He must say farewell to his village and cross all Guinea to the capital city of Guinea to live with his uncle.

Sissako visits a war-torn Angola after thirty years of war in search of a friend and thereby through interviews reflects on the lost utopias of a generation of Africans who experienced the liberation struggles. His camera is witness to the dislocation and despair of those he encounters living in Angola, however he also discovers the resilient spirit of Africa and optimism for its future in unexpected ways.