A group of men lead a search for a victim of a murder to whom a suspect named Kenan and his mentally challenged brother confessed. However, the search is proving more difficult than expected as Kenan is fuzzy as to the body's location. As the group continues looking, its members can't help but chat among themselves about everyday life, which ultimately leads to conversations about their deepest existential concerns and secrets.
Sinan is sent to Capadocia by his boss, Isfendiyar to write a screenplay. As he waits for inspiration, Sinan finds himself running first into Eylul, the daughter of Izzet, who owns the hotel where he's booked to stay, and then into soap opera star Faruk, his former good friend and present enemy. It isn't long before cabdriver Lokman, who declares himself Sinan's 'chauffeur' and Arif, a local farmer and horse breeder, are part of both Sinan's life and his screenplay. Although plentiful adventures among the magical fairy chimneys, colorful balloons and at the annual grape festival become like a movie for all involved, the happy ending awaited by the boss, Isfendiyar never happens. But the boss insists on his happy ending. And Sinan has to write that ending!
13-year-old Fidan learns that she has earned the right to attend the country’s most prestigious high school. However, it is not easy for her to leave behind her father, who has disappeared under the shadow of tragic events, and her little brother, to move to the big city. Fidan finds herself at a crossroads, driven by the spirit of sacrifice so characteristic of the noble women of Anatolia. The decision she makes will shape her future. Should she go to the school her mother has dreamed of for her, one that promises to open the doors to a bright future? This is the story of one sapling among the millions of trees in a land where some of the world’s strongest women have lived and where, despite everything, miracles can still happen.
People who have to leave where they live, let their photo taken for the last time in front of a backdrop. The photographer gives the photographs to everyone and they move away from the backdrop. "The Photograp"h takes a glimpse into the lives of all refugees who are forced to leave their country, from the point of view of the last moment they were together and happy. In doing so, the director who does not use any dialogues and thus does not offer any description, reveals his discourse on a global basis.
