Forced to leave the comfort of his middle class lifestyle at his father's behest, fourteen-year-old Ahmet is sent to an all-boys religious dormitory where he must navigate familial expectations, his religious obligations, and the childhood to which he so desperately clings.
Zuhal, a successful lawyer living alone in the center of Istanbul, begins to hear the sound of a cat in her house one day. She sets out on a quest in her apartment to find this cat, which no one has heard of but herself.
Didem and Ayse aren't able to find a job even though it has been a while since they've graduated from the university. In this time period in which these two young women step into adulthood and need to make money now - this period of time that is short for humanity, but lingering for them - the days are not much different from the previous ones. On the other hand, in order to able to stay in Istanbul, they must at least earn enough money to cover their rent, on the other hand, what they dream of, what want to do. They cannot find a way to earn money. On the edge of the metropolis, they are stuck in between the skyscrapers rising among the terrace of their home and the ruined apartment buildings.
After receiving the news that his father, whom he has not spoken to for five years, has cancer, Orkun goes to his father's home with his older sister Elif to take care of his father. The beginning of the treatment is also the beginning of the family's reckoning, and Orkun's camera records this process. A family autobiography accompanied by death, My Father's Air Bed.
Veteran math teacher Hilmi is preparing the earthquake survivor Ela for her college applications and is mentoring Ali, the doorman's son, who flunked for the second time at school. As they seek refuge from loneliness in each other, they slowly find themselves in an uncanny triangle, where all boundaries dissolve.
Yılmaz is the dealer and close friends of famous filmmakers and actors. With the increasing drug operations in Istanbul, Yılmaz is getting paranoid about not being loved by them anymore. This paranoia makes him take bigger risks day by day and he will be destroyed by the desire for being loved.
A none dialogue film about a young woman called Sukran, who has an accident when she is 10 years old and stays crippled for the rest of her life. Throughout the film, she seeks to create a common ground with other people. Despite her hunger to do so, she fails with people of the opposite sex, and so turns to her own gender. Again, she meets with failure; and again, she is knocked sideways. Just like all of us, Şükran keeps looking helplessly for ways to communicate with other people until the bitter end. Her helplessness may not be the exact same to our own helplessness as spectators, but they are indeed in very close proximity.
