Juan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only has one name. Based on true events, set in the Argentina of 1979, this film is one about love.
The film tells the story of the energetic and pulsating singer Elis Regina since her arrival in Rio de Janeiro at age 19 until her tragic and early death. Despite all the difficulties, success comes fulminant and the life of Elis Regina gained national and international recognition, becoming undoubtedly considered today the greatest Brazilian singer of all time.
The meeting between two young guys, Marcelo —in the future, Marcelo D2— and Skunk , who sold t-shirts and cassette tapes in the center of Rio de Janeiro to survive, resulted in one of the most popular bands in Brazil in the 1990’s, Planet Hemp. Suppressed by a prejudiced society, the two made of their music a cry of alertness and resistance, conquering the hearts and minds of an entire generation.
The Menezes, a powerful family of animal breeders from the Mid-West, have always been at the helm of all illegal dealings in the region. In recent times, they've watched as the system that protected them for so many years slowly disintegrates. Mirão Menezes lives at the mercy of the drug-trafficking industry, the ever-encroaching authorities, and the constant and violent power struggle with his brother Abílio. Mirão's daughter Elaine becomes involved with her father's pilot, finds herself pregnant and decides to flee with him after her Uncle Abílio bribes them. Brito, the hitman sent to find the couple and finish them off, is ironically also victim of a love story.
Brazilian icon Elza Soares shines again.
The film shows the daily life of indigenous village Piyulaga, home of Waurá tribe --an ethnicity of 560 people who live at Xingu Park in Mato Grosso, Brazil. It also reveals how the indigenous community keeps its traditional culture while incorporating habits and technologies from the “white”.
Flavia Ribeiro meets 8 female ex-offenders with whom she helped as a volunteer in the Women's Chain, city of Santos. Together, in a inhospitable and precarious space, they transformed anguish into art, rebellions into dialogue, despair into hope.
