In 1972, Miyuki tells her ex-lover Kazuo that she's going to Okinawa with their son. Kazuo decides to film her. He narrates his visits to her there: first while her flatmate is Sugako, a woman Miyuki is attracted to; then, while she works at a bar and is with Paul, an African-American soldier. Once, Kazuo brings his girlfriend, Sachiko. We see Miyuki with her son, with other bar girls, and with Sachiko. Miyuki, pregnant, returns to Tokyo and delivers a mixed-race child on her own with Kazuo and Sachiko filming. She joins a women's commune, talks about possibilities, enjoys motherhood, and is uninterested in a traditional family. Does the filmmaker have a point of view?
Title | Extreme Private Eros: Love Song 1974 |
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Year | 1974 |
Genre | Documentary |
Country | Japan |
Studio | Shisso Production |
Cast | Kazuo Hara, Miyuki Takeda, Sachiko Kobayashi |
Crew | Kazuo Hara (Writer), Kazuo Hara (Director), Tokiko Kato (Original Music Composer), Kazuo Hara (Director of Photography), Jun Nabeshima (Editor), Yukio Kubota (Sound Recordist) |
Keyword | |
Release | Jun 25, 1974 |
Runtime | 98 minutes |
Quality | HD |
IMDb | 7.40 / 10 by 10 users |
Popularity | 2 |
Budget | 0 |
Revenue | 0 |
Language | 日本語 |