It is sunset in a mountain landscape. An orchestra and a choir, along with a large group of adolescents who act as "living-music-stands", are filmed as they play the first part of Mahler’s 8th Symphony. The musicians gradually begin to move in a precise choreography, led by their living-music-stands. As these movements are executed, disparate groups of musicians, singers, and living-music-stands begin to disappear along with the sounds that they emit. The music progressively becomes a sound object captured in the course of its own erosion, which corresponds to the slow dissolution of the landscape’s visibility due to the setting sun. Ultimately, the music as a sound object and the landscape as a visual object become identical, all while being completely transformed in regard to the starting configuration. Thus, in TRENTO SYMPHONIA, the landscape becomes a point of convergence between contemplation, correspondence, and imagination.
Title | Trento Symphonia |
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Year | 2014 |
Genre | |
Country | |
Studio | |
Cast | |
Crew | Flatform (Director) |
Keyword | |
Release | Jan 26, 2014 |
Runtime | 20 minutes |
Quality | HD |
IMDb | 4.50 / 10 by 4 users |
Popularity | 1 |
Budget | 0 |
Revenue | 0 |
Language |