The artist sets up his camera in front of a run-down shack. He will attempt to penetrate his subject with a series of agile and inquisitive camera movements. Although open to the four winds, the building is presented to us as an impenetrable castle: there are bars on the windows, locks and pulleys: a series of obstacles blocking our access. Lange launches his attack by panning horizontally, then vertically, across the walls; these are scarred with broken windows, which provide the principal motif for the film. This panning movement continues, with a series of variations based on the geometric patterns offered by the half-broken windows: a series of backlit triangles and rectangles, which at times suggest an anthropomorphic motif. The use of different shooting speeds and of in-camera double-exposure causes the film to fluctuate between documentation and abstraction. L'Ailleurs - Somewhere Else - is the interior which the film never penetrates.
Title | Défénestration vers l'ailleurs |
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Year | 1999 |
Genre | |
Country | France |
Studio | |
Cast | |
Crew | Dominik Lange (Director) |
Keyword | |
Release | Jan 01, 1999 |
Runtime | 5 minutes |
Quality | HD |
IMDb | 0.00 / 10 by 0 users |
Popularity | 0 |
Budget | 0 |
Revenue | 0 |
Language |