The first behind-the-scenes documentary in the film industry, from the making of a camera (Debrie) to studio shooting and directing, including animation techniques. Pierre Chenal meets André Rigal who executes, in his workshop, a series of freehand drawings. These sketches are then ground in a coffee grinder, from which a cartoon on film emerges. In Champigny, Alain Saint-Ogan and his host are working on Zig et Puce and developing Alfred the penguin's first steps. In Fontenay-sous-Bois, Ladislas Starewitch presents his future stars. Pierre Chenal described his film as follows: “I had designed to shoot a documentary in which I would show how a film is made in order, at the same time, to learn it myself. "
Title | Paris Cinéma |
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Year | 1929 |
Genre | Documentary |
Country | France |
Studio | |
Cast | Carmen Boni, Augusto Genina, Władysław Starewicz, Pierre Chenal, Alberto Cavalcanti, Alain Saint-Ogan |
Crew | Pierre Chenal (Director), Jean Mitry (Director), Jean Goreaud (Director of Photography), Robert Legeret (Director of Photography), Charles Lemaire (Director of Photography), Pierre Chenal (Editor) |
Keyword | film industry |
Release | Oct 21, 1929 |
Runtime | 49 minutes |
Quality | HD |
IMDb | 9.00 / 10 by 1 users |
Popularity | 0 |
Budget | 0 |
Revenue | 0 |
Language |