More of a film essay - of the type pioneered by Orson Welles and Chris Marker - than a standard documentary, German filmmaker Lutz Dammbeck's The Net: The Unabomber, the LSD and the Internet begins with the typical format and structure of a nonfiction film, and a single subject (the life and times of mail bomber Ted Kaczynski). From that thematic springboard, Dammbeck branches out omnidirectionally, segueing into a series of thematic riffs and variants on such marginally-related subjects as: the history of cyberspace, terrorism, utopian ideals, LSD, the Central Intelligence Agency, and Cuckoo's Nest author Ken Kesey and his Merry Pranksters.
Title | The Net |
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Year | 2003 |
Genre | Documentary |
Country | Germany |
Studio | ARTE, Lutz Dammbeck Filmproduktion, SWR |
Cast | Eva Mattes, Tom Vogt, Lutz Dammbeck, Stewart Brand, John Brockman, Butch Gehring |
Crew | Dietmar Post (Assistant Director), Lutz Dammbeck (Writer), Lutz Dammbeck (Director), Margot Neubert-Maric (Editor), J.U. Lensing (Music) |
Keyword | |
Release | Oct 01, 2003 |
Runtime | 121 minutes |
Quality | HD |
IMDb | 6.00 / 10 by 12 users |
Popularity | 3 |
Budget | 0 |
Revenue | 0 |
Language | English, Deutsch |