Chaka 1901

A man, objecting to being filmed, comes closer and closer to the camera lens until his mouth is all we see. Then he opens wide and swallows camera and cinematographer. He steps back, chews, and grins.

A chemist carries out a bizarre experiment with his own head.

A female impersonator giggles and flirts. By the following decade, many female impersonators would be shown doing their acts on the stage and in the movies; the Eltinge Theater on 42nd Street in New York is named for Julian Eltinge, the most famous of them. This was probably the earliest "name" example for the movies. Gilbert Saroni plays an exceedingly ugly woman who coyly flirts with her fan.

This early docudrama shows Auburn Prison and recreates the electrocution of Leon Czolgosz, the assassin of President McKinley of the United States.

A street level view from the sidewalk, looking along the length of 23rd Street. Following actuality footage of pedestrians and street traffic, the actors, a man in summer attire and a woman in an ankle-length dress, walk toward the camera.

In 1901 people in Belfast paid their tram drivers in carrots.

The famous acrobats in the above title appear in a marvellous acrobatic act. There are three barrels arranged on the stage. The boys, blindfolded, stand on opposite sides of the stage, and jump from one barrel into the other until they both land in the same barrel at the same time. They then jump backwards onto the stage over the two barrels. One table is then mounted upon another and the center barrel is placed on top. The brothers still blindfolded jump one each into a barrel and from them to the first to the second table and from the second table into the barrel on top of the second table. They then jump backwards onto the stage. This is pronounced by show people to be the most marvellous acrobatic feat that has ever been introduced. (Edison Catalog)

Four black minstrels turn into white clowns and back again when they hit or kick each other.

A young woman becomes the eighth wife of the wealthy Bluebeard, whose first seven wives have died under mysterious circumstances.

Firefighters ring for help, and here comes the ladder cart; they hitch a horse to it. A second horse-drawn truck joins the first, and they head down the street to a house fire. Inside a man sleeps, he awakes amidst flames and throws himself back on the bed. In comes a firefighter, hosing down the blaze. He carries out the victim, down a ladder to safety. Other firefighters enter the house to save belongings, and out comes one with a baby. The saved man rejoices, but it's not over yet.

A convicted criminal dreams about his past the night before his execution.

A satire on the way that audiences unaccustomed to the cinema didn't know how to react to the moving images on a screen - in this film, an unsophisticated (and stereotypical) country yokel is alternately baffled and terrified, in the latter case by the apparent approach of a steam train.

An oppressive droning score makes this rendering of the Faust legend quite disturbing to watch. The film itself consists of a number of impressive ‘appearing out of thin air’ effects, some lavish costumes, sets and backdrops. A climactic sword fight between a man and the Devil is a standout scene.

A group of miners (including a sole black worker) exits the colliery gates.

Time-lapse photography showing the one month-long demolition of the Star Theatre in New York.

A well-dressed, middle-aged man is enjoying a drink at a table with a pretty young woman. He flirts with her, and she seems not to mind his attentions. But is it all too good to be true?

At the beginning of the scene Romeo in his gondola sings to Juliet a sentimental song, then goes away. Hardly has he departed when the colonnade falls to pieces, disclosing the devil. Juliet, frightened, runs to the window and calls Romeo. The latter attempts to enter and protect his fiancée, but at a gesture from the devil the window is instantly covered with a grating and Romeo makes frantic efforts to break it. The devil begins to dance a wild dance before Juliet, who is beside herself from terror. The devil gradually becomes the size of a giant (a novel effect). Juliet implores the statue of Madonna, which becomes animated, descends from its pedestal, and stretching out its arms orders the devil to disappear. (Méliès Catalog)

A sorceress conjures up a bevy of beauties for a bachelor to peruse.

“The picture [shows] a number of Esquimaux picking nickels from cracks in a board with their dog whips, in which sport they are very expert. In the background will be seen one of their "Topeks," a sealskin tent in which they live during their short summer.” (Edison catalog)

A man attempts to engender a transformation of a giant worm into a butterfly.