La viuda de Montiel 1979
Mexican drama film directed by Miguel Littín. It is based on a short story of the same name by Gabriel García Marquez. It was entered into the 30th Berlin International Film Festival
Mexican drama film directed by Miguel Littín. It is based on a short story of the same name by Gabriel García Marquez. It was entered into the 30th Berlin International Film Festival
A gritty tale of survival set against a city ripe with violence and corruption. The Naked City tells the tale of Alfonso and Aurelia, who with their infant daughter flee the scene of a traffic accident they inadvertently caused, leaving several people seriously injured. On the run, they check into a hotel in a different part of the town. By coincidence, or fate, the hotel is about to be attacked by a violent gang, who resume to hold everyone hostage, moving room to room raping, killing and brutalizing the guests. When it is turn to visit with the young couple it is their time to decide to succumb to the violence, or fight back.
Three boys, after participating in the events of 1968 in Mexico, find themselves in the need to get away from the social struggle
Four men and two women illegaly board a cargo ship from Buenaventura, Colombia to New York. All their dreams and frustrations confronts them while they attempt not to be discovered by the ship crew. They all seek the "American Dream".
Women escape from prison to search for a treasure whose location has been revealed to them by a dying old woman.
When a group of young filmmakers witness and film a crime of passion, the most outrageous blackmail of the century begins. By means of a fantastic plan, the filmmakers send to the murderer, a financial and industrial big shot, a copy of the movie that incriminates him and they demand him an improvement of the standard of living for the working class.
In the 16th century, an envoy from the pope and the king of Spain arrives in New Spain to deal with the case of Augustinian Alonso, in a state of autism by ingesting herbs given to him by the native Tlacuilo Camistli, who has been accused of sorcery. The envoy speaks with him and asks for the grass and ingesting it can communicate with Alonso, who contemplates in an internal vision a shining light that reflects the divine goodness. The envoy gets a dagger to Camistli and he takes his life. The envoy destroys the memorials he would send to Europe and decides to stay.