Rose Motion Picture Company

Continuing from the first Jane Bond film, Black Rose (1965), Mei-yu and Mei-yu infiltrate the underground group of Golden Yanluo (Chinese: Judge of the Underworld) to save Man-fu and Nanny back.

Chan sisters Chan Meiling and Chan Meiyu are respected high class, women in Hong Kong's more upscale neighborhoods. However, they both share an alter-ego called the Black Rose, a notorious cat burglar who dresses in a black leotard, and steals from the rich to give to the poor - taking on a Robin Hood-style mission. Even with their antihero status, the Black Rose has created uneasiness and tension in the high society; therefore, an insurance detective investigates the crimes and tries to unmask the woman behind the cat mask.

The creative person torn between ideals and reality is one of Chor Yuen's favourite characters in his 1960s films. Another favourite subject is the rose, not only featured in the title of several films but is also the name of the production company he formed with his future wife, Nam Hung, who also stars in most of its productions. Rose in Tears is in fact the company's inaugural project. The story features two painters, one famous and the other struggling but both infatuated with the same delicate rose of a woman, negotiating their ways through art, commerce and love. With this heart-tugging story, Chor finds a vehicle for his baroque impulses, relishing in lavish images and over-the-top emotions.

Orphan Lee Dan-hung is made a scapegoat by her cousin Chor Kwai-ping. Facing drug trafficking charges, Lee is released on parole with the doctor To King-chung as guarantor. Lee works as a sanatorium nurse. The modest caretaker, Matriarch To plays matchmaker for her son To Ngan-sing and Lee. Ashamed of her past, Lee listens to the doctor's advice and keeps the Tos in the dark. Chor returns and coerces Lee into colluding with smuggling ring by threatening to kill her newborn daughter. The reluctant Lee is arrested in a police raid together with the gang members but is later acquitted. With a reputation to defend, To toughens his heart and expels Lee. Lee leaves for Borneo with a touring opera troupe but a yearning for her daughter brings her back several years later. Feeling for the upset in-law, Matriarch To grants her stay until his son's return from business in a few months' time. When To returns, he decides to make up for the wasted time by bringing Lee and her daughter home.