Ventura Film

Women in a failing silk factory, fight to find a way to keep their jobs.

In a little Sicilian village at the edge of a forest, Giuseppe, a boy of 13, vanishes. Luna, his classmate who loves him, refuses to accept his mysterious disappearance. She rebels against the silence and complicity that surround her, and to find him she descends into the dark world which has swallowed him up and which has a lake as its mysterious entrance.

An old shepherd lives his last days in a quiet medieval village perched high on the hills of Calabria, at the southernmost tip of Italy. He herds goats under skies that most villagers have deserted long ago. He is sick, and believes to find his medicine in the dust he collects on the church floor, which he drinks in his water every day.

Teo has a good job, a fiancee, a lover, no intention to assume any responsibility in his life. Meeting Emma, a blind woman, will upset his convictions.

A widowed working-class father falls in love with a struggling, poor artist.

A man in his forties has had enough. He leaves his loveless family, uninspiring job and fake friends and tries to find something more. He meets a young woman he falls for, but she puts him on the test.

A 2018 Italian language drama film directed by Giuseppe Petitto, starring Antonia Liskova.

After the Portuguese government demolishes his slum and relocates him to a housing project on the outskirts of Lisbon, 75-year-old Cape Verde immigrant Ventura wanders between his new and old homes, reconnecting with people from his past.

Shut inside their cars, two women face off in a silent duel that is fought out in the intimate violence of their stares. A wholly female duel punctuated by the refusal to drink, eat and sleep; more obstinate than the sun of Palermo and more stubborn than the ferocity of the men who surround them. For, as in every duel, it is a question of life or death... It’s a Sunday afternoon. The sirocco is blowing pitilessly in Palermo when Rosa and Clara lose their way in the streets of the city and end up in a sort of alley: Via Castellana Bandiera. At the same moment, another car driven by Samira, crammed with members of the Calafiore family, arrives from the opposite direction and enters the same street.

Camilla is a successful attorney in her forties who accidentally causes the death of an undocumented migrant. At first, she is only interested in exonerating herself, but soon a feeling of responsibility starts nagging her: the dead body of a young man is lying in the morgue because their destinies fatally crossed. Camilla is used to shielding herself from pain, and she is incapable of really caring, even for her own daughter. In the midst of discovering the victim’s identity, she meets Bruno, the head of the morgue, who seems to be the only one who can truly understand her. The investigation she pursues will take her far from her surroundings until she will be forced to question herself, her unresolved past, and the life she really wants to live.

Impaired vision-friendly documentary about blindness.

For teenage twins Robert and Elena, a weekend can seem endless yet still fly by. Time almost stands still while discussing philosophy, lying in a blissful cornfield near a remote gas station. They are in their own little world, a twin world of twin games and twin love. A confined world where emotions rise, where pressure mounts into rage… The turmoil of adolescence.

Ira is Russian. Ivan Tashkov, too. She is 23 years old, lives in Geneva with her mother and knows very little about her homeland. Tashkov is a supposed gangster of the Russian mafia, and is in jail waiting to be judged. Ira, who is searching for her roots and her own path in life, happens to be the interpreter of Tashkov's defense lawyer, and gets instantly captivated by of this powerful, cultured and manipulative man.

Wrapping the audience in waves of sound, Alberi takes us on a circular journey through the Italian countryside. The marvelous natural music at the tops of the eponymous trees makes way for the rhythmic cadence of civilization—men baring axes and the natural clatter of daily life—before their unforgettable return home from the forest. The singular artistry of director Michelangelo Frammartino (Le quatro volte) is beautifully displayed in this mesmerizing homage to nature.

An unrepentant prodigal son straight out of a Russian jail returns to his hometown, Asht, to help his mother die with dignity. But his debts in his hometown are many and long overdue, the townspeople are tough as nails, and he soon gets more than he expected from the quiet village. In this dark comedy, his third feature, writer-director Jamshed Usmonov cast the population of Asht as its own persuasive self and his own mother and brother as the fractured yet formidable domestic couple.

The world of fashion, between the end of the Sixties and the beginning of the Noughties, had a key character that embodied its spirit and told the tale: journalist Anna Piaggi, living witness of that contamination between art, society and culture that changed fashion and sanctioned its success on a global scale. The daughter of a manager for La Rinascente (Milan's iconic high-end shopping mall whose foundation goes back to 1865), Karl Lagerfeld's muse, "a poet with her clothes" in the words of Bill Cunningham, her life is retraced through interviews with designers (Jean-Charles de Castelbajac, Stephen Jones, Manolo Blahnik, and more) together with archival images from four decades of fashion history.

On a remote volcanic island that everybody wants to leave, little Nana learns to stay. Her mother, Nia, went into exile right after she was born and Nana grows up in the family of her father. One day, the family learns that Nia is ill. Nana begins to develop high fevers and is sent to the foot of a volcano for treatment. There she encounters a world steeped in magical realism, between dreams and reality. Later, when Nana is a teenager, her mother Nia finally returns to the island.

Documentary about Swiss grocery store pioneer Gottlieb Duttweiler

Nina and her two friends share trepidations and desires, amid adolescent games and self-discovery. As the girls engage in ever new challenges, Nina immerses herself in her own hesitations.

Struggling with the breakdown of a relationship, Leo moves back to a dilapidated 'city of tomorrow' to live with his belligerent grandfather and his father Rafael, a disillusioned engineer who once worked in Cuba's now-abandoned nuclear program.