Yessica is a rebellious girl who forms an unlikely friendship with quiet schoolmate Miriam. Yessica's home life is ruled by her brutal stepfather and her amoral stepbrother, Jorge, while Miriam shares a calm, loving household with her mother. The girls' friendship is shattered after Jorge arranges to have one of his friends rape Yessica.
After the death of a patriarch, a family must try to continue on with a disturbing, ritualistic tradition.
A teenager has a crush on his best friend's mom.
Benjamin is an old bachelor who lives with his sister. One day he falls in love with the young Natividad. Seeing that the love letter strategy doesn't work with the girl, Benjamín decides to kidnap her.
Mariana has an obsessive cleaning habit. After starting a troubled relationship with Enrique. She must accept that sex is dirty and impulsive.
In an unnamed Latin American country that closely resembles Mexico, the government fights a rural insurgency with torture, assault, rape, and murder. Soldiers descend on a town, cutting off the rebels from their cache of ammunition hidden in a field. A family of grandfather, son, and grandson are among the rebels in the hills. The grandfather, with his violin over his shoulder, tries to pass the checkpoint, ostensibly to tend his corn crop. The commanding officer lets him pass but insists on a daily music lesson.
Luisito, an 8-year-old boy, experiences the grief that has been denied to him when his mother decides to get rid of his late father's clothes.
The story of the oil leader Lázaro Pizarro, of his political and personal wars, the use of crime to settle conflicts and the course of his power between the basements and the domes of Mexican politics, have a narrative record made in the Gulf of accuracy and dexterity
This is the story of Pablo, a young uruguayan exiled in México, whose father was disappeared during the military dictatorship.
A portriat of the daily lives of Beatriz and Gilberto, a couple that has been together for over 40 years. A reflection about love and marriage. An intimate glimpse into the lives of two people who struggle to live in harmony.
Renata has a secret relationship with Liliana, her swimming coach. The game of power in which the couple dwells can transform the love and passion they profess for each other into the same force that destroys them.
Alma, a twelve-year-old girl, is in love with her best girlfriend. In the midst of her sexual awakening, she will experience new sensations that will also bring along disappointment.
After a lifetime together, Susana has been abandoned by her husband. She is in denial and holds on to the past. One day, she needs the help of her neighbor, Gloria, a free-spirited woman that she can’t stand. But the friendship that emerges between them awakens Susana's desire to live in the present.
Director Hatuey Viveros' beautiful film unfolds as a fascinating exploration of contemporary life in Mexico, searching to understand today's world, while portraying a younger generation who lack an understanding of their past. And as we journey with Aina on her own discovery, it becomes clear that the process of her search is just as important as the results.
The way three different generations of women view virginity and the mystery that a love story hides.
It is the story of Jessy, a young domestic employee who, in the midst of mining exploitation, finds the strength to confront the political power that is destroying her family's health.
Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.
Efrain, known as the Reaper, has worked at a slaughterhouse for 25 years. We will discover his deep relationship with death and his struggle to live.
“I love poetry because it makes me feel like my mind expands.” In Regard Silence, that's the very first sentence expressed—in sign language of course. Watching the poems signed by deaf people in this film has a similarly mind-expanding effect. That’s because sign language—the Mexican version in this case—is a very different means of communication than written or spoken language.
