Ginestra Film

With just a mobile phone and a gun, Mahmud, Ziyad and their group risk their lives trying to save Yazidi women and girls being held by ISIS as Sabaya (abducted sex slaves) in the most dangerous camp in the Middle East, Al-Hol in Syria.

In the chaotic aftermath of the fall of Saddam Hussein, Fakhir, a father of eight, is serving in the Iraqi army. All around him, he sees innocent civilians getting injured by landmines, so he determines to disarm them with his own hands, using just a pocketknife and some wire cutters. He clears thousands of roadside bombs, mines and car bombs, knowing that every time he cuts a wire it could cost him his life—which he seems to find less important than the lives of others. In 2014, by this time having lost a leg, he starts working for the Kurdish Peshmerga, disarming boobytraps left behind by Daesh in and around Mosul. An enthusiastic home video maker, Fakhir collects hundreds of hours of footage of his day-to-day work.

Observes the mechanisms of construction and assimilation of gender in contemporary Italian society, through a kaleidoscopic mosaic of scenes of daily life: what are the choreographies of bodies, collective rituals, behaviors for each of the genres that condition our identities? Through paintings with a strong visual impact, Normal tells the story of normality making it alien to us, exploring the daily and collective staging of the male and female universe in which we all participate.

The film is about the seemingly small, but extremely important steps children take in kindergarten to become big, empathetic people.

A lovesick misfit, a mysterious beauty, a retired civil servant, a randy fortuneteller and a couple of doubtful, young, charismatic lovers meet in late summer on a Russian river cruise. They have one thing in common – similar emotional problems of suffering and doubts. However, they’ve come to the right place. River cruises in Russia are colloquially called “floating matchmaking agencies”. What does fate have in store for them?

Just outside the city of Genoa, Italy, lies a vast, monumental cemetery. Alongside its graves, through the arcades and galleries, all kinds of people work and wander. For a place that’s all about death, the cemetery is curiously alive.

A Russian producer, with his directing wife, will make a documentary in Sweden about Scandinavian mentality. Maybe the project can save their marriage. The wife and daughter arrive in Sweden, but the producer does not show up and this is not the first time. He is still in Moscow, drunk and happy.

Neverending Roads is the story of Afghan refugees born in Iran who fled racial persecution to Europe only to be deported from Sweden to Afghanistan.