A stranger comes to work at widow Halla's farm. Halla and the stranger fall in love, but when he is revealed as Eyvind, an escaped thief forced into crime by his family's starvation, they flee and become two of the many outlaws of Iceland's mountains.
Terje Vigen, a sailor, suffers the loss of his family through the inflexibility of another man. Years later, when his enemy's family finds itself dependent on his benevolence, Terje must decide whether to avenge himself.
Three Scottish officers, including Sir Archi, murder Sir Arne and his household for a coffin filled with gold. The only survivor is Elsalill, who moves to relatives in Marstrand. There she meets a charming young officer- Sir Archi- and she soon understands that he was one of the murderers.
After Ingeborg Holm's husband becomes sick and dies, the family's small grocery store fails, Ingeborg becomes bankrupt, and she is forced to move to the workhouse. Her three children go to foster homes. Ingeborg simply must see them again.
Gunnar Hede is raised by a strict mother, who wants him to become respectable to match his family’s wealth. He is more interested in his grandfather, who started as an itinerant violin player, but got rich by leading a herd of wild reindeer south to market. He falls for a violinist working with a married couple of traveling performers and renounces his fortune to go with them. He then tries to earn a fortune by driving reindeer to market, but it doesn’t work out and he goes insane. He is finally restored to sanity by the violinist when she returns with the performers.
Hämnaren (The Avenger) was made in 1915, and was rediscovered in Berlin in 2001. It begins with a woman named Ester, who is reading a letter and crying. The letter says that a man named George won't marry her, because he knows his father would never allow him to marry a Jewish woman. Ester dies of childbirth, and possibly a broken heart. Her suitor Jakob takes care of her son, who is named Josef, and sends George a note, accusing him of causing her death
The story is that of a conniving countess coming between a gay sculptor, Claude Zoret, and his bisexual model and lover, Mikaël, ultimately leading to Zoret's death in a raging storm at the base of a statue of Mikaël as the mythological Icarus. The film is missing 19 minutes of run time.
A 1917 Swedish drama film directed by Victor Sjöström, based on a 1913 novel by Selma Lagerlöf. It was the first in a series of successful Lagerlöf adaptions by Sjöström, made possible by a deal between Lagerlöf and A-B Svenska Biografteatern (later AB Svensk Filmindustri) to adapt at least one Lagerlöf novel each year. Lagerlöf had for many years denied any proposal to let her novels be adapted for film, but after seeing Sjöström's Terje Vigen she finally decided to give her allowance.
After the respectable Dr. Monro was found dead, the housekeeper and two engineers testify in court. A case of commercial delinquency and bribery is reconstructed on that occasion. Sadly only about half the film exists today.
On a farm in up-country Sweden, an enigmatic stranger comes to a conservative peasant community and seduces a farmer's wife.
The old friends Otto Berner and Charles Von Barton stands on separate sides in a political conflict.
A film about family secrets...and deathbed confessions.
After a harsh argument between her and her father, a young girl with artistic talent leaves home for a new life.
The son of a wealthy farmer loves a simple maid, for which he's booted out of the house by his father.
Frau Bessie, once a madcap, aristocratic and modern Swedish fraulein, has become now a whimsical and conservative Swedish burgess after her marriage to Herr Thomas Graal. The destabilization of the marriage begins right at the wedding (which contains some hilarious incidents) when Frau Bessie announces the first Graal child must be a girl, creating a terrible conflict with her husband who is hoping for a boy. It takes a scandal to finally end the war between man and wife.
A man buys a pair of galoshes at an auction and discovers they are magic, and can take the wearer wherever he wishes. He travels with a friend on an adventurous trip around the world.
Karin Daughter of Ingmar is a 1920 Swedish silent drama film directed by Victor Sjöström. It is the second part in Sjöström's large-scale adaption of Selma Lagerlöf's novel Jerusalem, following Sons of Ingmar from the year before, and depicting chapter three and four from the novel. The critical reception was however unenthusiastic and Sjöström decided to not direct any more parts.
Mr Bernhard has financial difficulties. He has fallen into the hands of broker Mr Pouzer. In desperation, Bernhard's daughter Julia visit Pouzer to ask for mercy for her father. Yes, Pouzer replies, if I get you in return.
Ruth has had a happy childhood until her family falls on hard time. Not wishing to be a burden she decides to get a job but she's having a hard time getting one until she gets the idea to dress up as a boy and get a job as a milkman.
A man undergoing a mid-life crises suddenly becomes irresponsible and behaves in reckless manner. His self-destructive habits not only creates havoc in his home life, it leads to other problems.
