The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.
Three friends are part of a fascist opposition group in the chaotic Chile of the early 70's and together commit a political crime that changes the history of the country and incidentally involves them in a betrayal that separates them forever.
What limits does Malena cross to get what she wants most? Malena is a 38 year old middle class doctor from Buenos Aires. One afternoon she receives the call from Doctor Costas, who informs her that she must travel immediately to the north of the country: the baby she was waiting for is about to be born. Unexpectedly Malena decides to embark on an uncertain journey, full of crossroads, facing all kinds of legal and moral obstacles that will make her constantly wondering how far she is ready to go.
Vera, who fought in the armed left-wing movements against the Brazilian military dictatorship, has lived in multiple South American countries. Her daughter Tânica has been married to another woman for fifteen years, and they're about to have their first child.
After 20 years of marriage, Ana Lúcia and her husband Fábio decide to get a divorce. Fábio, however, decides to move to an apartment across the street, in front of the window of his former apartment - where Lúcia still lives. Both will have to learn how to deal with job crisis, problems with their daughter and this whole new situation.
Set against the turbulent atmosphere of the 1960s, Tropicália is a feature length documentary exploring the Brazilian artistic movement known as Tropicália, and the struggle its artists endured to protect their right to freely express revolutionary thought against the traditional Brazilian music of that time.
In order to recreate a picture taken in 1974, during the inauguration of São Paulo subway, Pedro meets two school friends he had not seen for 40 years. If their existential crises, ageing and (astray) ways were not enough, Pedro announces, to everyone's surprise, he intends to take his own life — even though not before he sees his soccer team win a championship.
An older man begins to work in a modern dairy factory. He feels distant and does not identify with the place, the people and even the society. Little by little, he is approaching cows and oxen, transforming into an animal and returning to his ancestry.
Serginho has a hard time finding his place in the world as he works with his uncle at the market, supports his depressed mother, and takes care of his little brother.
Over the course of one night, the trivial squabbles of five couples from the same apartment building escalate into potentially relationship-ending rows.
