Udo is invisible - no one ever seems to notice him. He makes the most of it, working as a department store detective and living off other people's lives as they never notice him tagging along. Until he meets the one woman who sees him.
The over-ambitious Koralnik has a dream job: he is a contract killer for a secret EU programme. But even eight years after his training he still hasn't had a single hit. Bored and frustrated, he lives according to the programme's strict rules - withdrawn, no social contact and constantly undercover. One day, the shy Rosa crashes into his car and life. Before he knows it, Koralnik is having dinner with her. For the first time, he can flee his everyday misery for an evening of company. But then the telephone rings. It's Koralnik's first job. With Rosa alongside, Koralnik sets off on a chaotic odyssey through a night in which nothing goes according to plan. It is only when Koralnik's target is revealed to be none other than one of his colleagues that the rigid concept by which he lives finally comes into question. He is confronted with the dilemma of either protecting his secret programme or drawing a line under his unfulfilled existence as a killer.
Frank, a man without a criminal record, attacks a money transporter and then turns himself in to the police. His behavior is a mystery. In prison he meets the unscrupulous and suspicious Arab Fuad, who is protected by his clan. To get closer to Fuad, Frank intervenes in the drug business within the walls and gets caught between the two rival groups of German and Arab inmates. It is only the prison guard Susanna with whom Frank will be able to build a relationship of trust, not knowing that she is part of Fuad’s business and has a sexual relationship with him. However, they come emotionally close. What only Frank knows is that his wife and his daughter died in a car accident. Fuad was the hit-and-run driver that remained unpunished. Frank seeks revenge.
It is a fetish, a mantra, a secret religion to modern man: work. In times of the financial crisis and massive job reductions, this documentary movie questions work as our 'hallow' sense in life in a way that both humors and pains us.
Based on a short story by Russian playwright Maxim Gorky, Boles is a stop-motion animation about an author suffering writer's block. When his neighbour asks him to write a letter for her fiancé, he discovers something unusual.
A film about non-territorial office space, multi-mobile knowledge workers, Blackberries and Miles&More. A road movie discovering the working world of tomorrow. This documentary will take you on a journey through the post-industrial knowledge and services workshops, our supposed future working place. In this new world work will be handled more liberally. Time clocks cease to exist. Attention is not compulsory any more. The resource “human“ comes into focus. The film closely follows the high-tech work force – people who are highly mobile and passionate to make their work their purpose in life. Further episodes resume this topic and lead into the world of modern office architecture and into the world of Human Resource Management.
In 2010, thousands of Kosovo Roma were forcibly repatriated from the European Union to their original home. And this despite the fact that many had spent years living in the EU. They had grown up there, studied there, some had even been born there. This engaged documentary follows the story of brothers Kefaet and Selami, rappers from Essen who, from one day to the next, find themselves in Kosovo, cut off from the rest of the world and from their family in Germany.
″Haymatloz″ tells the stories of five German Jewish academics who emigrated to Turkey in the 1930s, to be welcomed with open arms. After 1933 a considerable number of German intellectuals emigrated to Turkey at the invitation of Atatürk and went on to definitively shape teaching and instruction in Turkish universities. Turkish-born filmmaker Önsöz accompanies the descendants of these German exiles and sheds light on a memorable piece of history whose meaning is still felt to this day, as these renowned Germans played a substantial role in the Europeanization of Turkey.
Director Carolin Genreith takes a warmly ironic look at her mother and her female friends but also addresses her own fears and vanities. A vibrant portrait which looks beyond the borders of one twentysomething’s coolly urban lifestyle in Berlin to examine the travails of menopause – as well as the art of banishing one’s fear of ageing with a well-placed hip thrust.
The chalk chases the shadow. Once it is captured, only traces of the game remain. Drawing, erasing, drawing again on a porous surface. Like on a sloppily wiped blackboard, shades of images that have long ceased to exist shine through. Špela Čadež stages a race between fleeting and manifest forms that – at least in terms of film theory – knows no winner.
Kilian (24) and Thomas (26) are successful poker players and part of a clique of German players who have met over the years during various poker events. Alternating between live and online poker they are in limbo between the daily ups and downs of the game, between winning and losing.
