Each morning Beirut awakens to a new murder seemingly committed by a serial killer, with victims found emptied of their blood. At the same time a doctor, Khalil, begins to experience strange symptoms that destabilise him and transform his life. A connection slowly emerges that seems to link Khalil to these victims. Salhab’s body of films have come to narrate the state of Lebanon – and Beirut in particular – during and after the civil war, and this film is no exception.
A female journalist becomes re-acquainted with an Algerian ex- colleague when she visits Beirut, and begins an affair with him.
A visually striking meditation on loss and a perceptive political critique, this deeply personal work has two subjects: filmmaker Olga Nakkas' ailing mother and the chaotic country where Nakkas was raised. Both fell sick in 1975, the onset of incurable depression for one and a bloody civil war ushering in deep divisions for the other. In this sequel to LEBANON: BITS AND PIECES (1994), Nakkas ponders the plight of the country she clearly loves while honoring the mother dear to her.
