City of God – 10 Years Later investigates what happened to the actors who took part in the award-winning film directed by Fernando Meirelles and Katia Lund. This documentary shows what City of God’s worldwide success meant to their lives. Were the actors prepared for the film’s success? Did the social background of some of them prove stronger than the opportunity that came their way?
A tribute to Pier Paolo Pasolini's centenary. The film tells of his visit to Rio de Janeiro in 1970, returning from Argentina in the company of singer Maria Callas, when he met the young soldier Joaquim.
Experimental movie about Rio de Janeiro's Museum of Modern Art's Movie Archive (Cinemateca).
Learn about the trajectory of student leader Marcos Medeiros and learn more about his exile in France and Cuba. In 1968, he joined the counterculture when political activism became an audiovisual expression of intervention in social reality.
Silvana is a tired woman. The world no longer belongs to her, the invisible bothers her, the daily life oppresses her. What she wants sometimes is to abandon everything and go back home.
Ana who lost her mother, works as a dog walker in the south of Rio de Janeiro and lives on the outskirts of the city. Her brother is discovering the drag queen universe, creating tensions with the homophobic neighborhood. Ana has a group of activist friends who try to support her, including mental health support. The arrival of an old boyfriend stirs up personal tensions and draws the attention of armed groups that dominate the region.
It tells the story of the musicians who revitalized Lapa, from the end of the 90s, in meetings on the small stage of "Bar Semente". The documentary is a historical record of a stronghold of cultural effervescence that remained in the affective memory of Rio de Janeiro.
Vidigal Hill, 1977. A runaway group of bandits engage in a complex love triangle in the brink of the news that the corrupt Rio de Janeiro mayor decided to make everyone move out of Vidigal, aided by police forces.
An encounter of novelist Lúcio Cardoso and poet Murilo Mendes haunting ghosts with their characters.
A soldier coming home after the Paraguay War meets a theater group. A shock between war and art.
This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.
Bianca manages a precarious living as a talented but underemployed actress in Rio de Janeiro, performing for private events dressed as movie icons. Troubled by the belief that she has missed her big break, Bianca's situation is upturned by an audition that leads to a rare opportunity.
Benjamim Zambraia is a young drunk who wanders around the city and is sometimes treated with pampering and sometimes with a beating by his parents (Helena Ignez and Otávio Terceiro). As in Chico's book, the boy is obsessed with a big stone.
Two men roam the night of Rio de Janeiro with two prostitutes in search of pleasure and violence.
A couple lives isolated in a country house at th top of a hill, full of natural beauties. Their routine is changed when an unsual group of mannequins seems to gain life, and start to watch over them.
Poetic reconstruction of the unfinished film, directed by writer Lúcio Cardoso, from Minas Gerais, in 1949, in the fishing village of Itaipu / Niterói, based on recovered scenes and excerpts from the film diary. The documentary shows the process of a writer struggling with the desire to make a film.
The son of a filmmaker from the 1960s and 1970s searches for his father's latest unreleased work. In this search, he retells the history of pornochanchada and presents a look at cinema and Brazil.
DJ Marlboro is considered by many to be the creator of funk carioca and remains one of the genre's leading promoters. This movie chronicles Marlboro's journey with firsthand accounts from the DJ himself and extensive archival footage.
Cléo is making her first film, inspired by french cinema and the nouvelle vague.
