Katya Ismailova

Katya Ismailova 1994

4.50

A wife finds her life transformed after a torrid affair in this story of murder. Katia is a rather dull young woman who types manuscripts for Irina, her husband’s mother and successful writer of romance novels. Katia’s husband is a real momma’s boy. They go to Irina’s summer house to work. There Katia encounters the intense and sexy Serguei who creates passionate longings with in her. Overcome she and Serguei engage in vigorous love-making upon a windowsill where Irina sees them. Irina has a weak heart. Quiet Katia, having rediscovered the joys of sex, changes and becomes more assertive and flighty. Serguei quickly loses interest in her. Strange and deadly things begin happening at the summer house which calls the attention of a judge who is extremely familiar with Irina’s writing.

1994

A Chef in Love

A Chef in Love 1996

4.50

The story of Pascal Ichak, a larger-than-life French traveller, bon vivant, and chef, who falls in love with Georgia and a Georgian princess in the early 1920s. All is well until the arrival of the Red Army of the Caucasus, as the Soviet revolution that has swept Russian comes to Georgia. Told as a flashback from the present, as a French-Georgian man whose mother was Pascal's lover translates his memoirs for Pascal's niece.

1996

Vive la mariée... et la libération du Kurdistan

Vive la mariée... et la libération du Kurdistan 1998

5.70

Kurdish expert Hiner Saleem (Shero) wrote and directed this French comedy-drama, set inside the 100,000-population Kurdish community in Paris. The original French title translates as "Long Live the Bride...and the Liberation of Kurdistan." Cheto (Georges Corraface) seeks a wife via videotapes while still seeing his French girlfriend, immigration office worker Christine (Stephanie Lagarde). Cheto places an order for a beautiful girl, but he's disappointed when her sister, country girl Mina (Marina Kobakhidze), arrives at the airport as a substitute. Family pressure forces him to marry her. Unhappy with the way she's treated by Cheto, Mina acquires some progressive notions from Leila (Schahla Aalam) and other local feminists, leading to confrontations with Cheto.

1998