Dawn of America

Dawn of America 1951

5.00

Kingdom of Castile, the late fifteenth century. The film chronicles the events that Cristóbal Colón lived (Antonio Vilar) from their stay in the Convent of La Rabida, his meeting with the Catholic Monarchs and, above all, the great odyssey that led to cross the Atlantic and reach the shores of America (1492), thus beginning a new era in the history of mankind.

1951

The Island Princess

The Island Princess 1954

4.50

1470. The Canary Islands try to resist the Spanish invaders. Their inhabitants are divided, their chief and his daughter Guayarmina (for whom a Spanish officer has fallen in love) wanting the peace, while the priest and resistance leader are for war. After several battles the islanders are chased to Tirma mountain by the Spanish army.

1954

El hombre de los muñecos

El hombre de los muñecos 1943

7.50

A son of the Marquise of Seven Almenas is robbed by a crook and deposited in Melchor's house, who sells dolls in the street. The administrator of the Marquise discover the whereabouts of the child and goes to pick him up, but Melchior gives him one of his children, thinking that will ensure the future. Over the years, Melchior, widower, enters as a steward in the house of the marquise where the alleged 'marquis' live splendidly.

1943

Ella, él y sus millones

Ella, él y sus millones 1944

5.50

Arturo Salazar is a powerful businessman who wants to be related to the nobility, so he asks an aristocratic friend to find him a blue-blooded bride.

1944

La paz empieza nunca

La paz empieza nunca 1960

5.30

Inspired by the classic novel by journalist and writer Emilio Romero. Shortly before the outbreak of the Spanish Civil War (1936-1939), a group of Phalangist friends, who dream of a revolution to transform Spain, are dedicated to spreading their ideas among the population. As war begins, one of them, Lopez, is about to be shot, but is saved by a Republican. Then he joins the national side. After the war, an old comrade encourages him to involve in an operation to destroy the maquis of Asturias. Although he is married and has children, he accepts the proposal, infiltrates among the guerrillas and convinces them that he will provide weapons to continue fighting.

1960

La Dolores

La Dolores 1940

1

Dolores, a beautiful young woman, works at the inn Daroca and is courted by the local barber Melchor, and Mr. Patricio, the richest farmer in the region. One day the young Lazarus appears at the inn, a Latin student who falls for the girl and is repaid in the same way. Frustrated, Melchor invents the famous song of Dolores, known by all, staining the honor of the girl.

1940

La princesa de los Ursinos

La princesa de los Ursinos 1947

5.00

The story of the Countess d'Orsini, French noblewoman and courtesan at the court of the Spanish king, who acted as an agent for the King of France and was one of the most powerful people at the Spanish court.

1947

Der Löwe von Babylon

Der Löwe von Babylon 1959

6.00

In the ruins of Nim Bis Rub, in Babylon, is a band of smugglers den. There goes Nemsi Kara Ben and his faithful friend. One night, while camping, they surprise three smugglers and, after a hard-fought struggle, manage to reduce them and take possession of the rings that are their trademark. Then they go to Baghdad and there, a character who wears a ring of smugglers, which has seen Kara's, confuses him with one of the band.

1959

Pride

Pride 1955

6.30

A tale of two families, the Mendozas and Alzagas, faced for generations by the water of a river separating their adjoining properties. Old grudges reappear when the two heirs fall in love.

1955

Lola the Coalgirl

Lola the Coalgirl 1952

6.70

Cadiz, during the War of Independence. The Lola singer in love with a French military entrusted an important message ...

1952

La marquesona

La marquesona 1940

1

"Marquesona" is the central figure of a flamenco picture made by a group of artists who go from town to town with their art. Rosa, "marquesona's" daughter meets a gentleman with money, Eduardo, with whom she escapes, abandoning her mother as his father did years ago. The "marquesona" decides to go ahead and give more impetus to her art and gets great successes again. Later, Eduardo Rosa and will see the theater where she works with the intention of seeking forgiveness.

1940