Kokuei Company

Tsumugi, a girl with a crush on her teacher, discovers that the teacher is having an affair with another teacher. Complications ensue after Tsumugi manages to attract her teacher, but then begins falling for a fellow student.

Tomoko and Naomi have had a lesbian relationship since their high school days. They meet again a few years later, and this film depicts the course of their love. Tomoko's strong obsession with Naomi and her intense sexual desire excite the audience. The beauty of the last scene is a must-see!

The film tells the story of Aiko, a 35-year-old mute woman who works in a bowling alley, and her brief romance with Yoshioka, a younger man who works as a postal carrier. The two meet when Aiko accidentally knocks Yoshioka off his bicycle, and they have a sexual encounter soon after. Aiko begins preparing lunchboxes and giving them to Yoshioka at his workplace as a way of expressing affection, which she cannot do verbally.

Japanese cult filmmaker Hisayasu Sato took a crack from his constant climb toward respectability with this particular kinky pinku-eiga entry aimed at the latex and rubber fetish set. A medical center nurse dealing with a patient for amnesia finds out that he is the serial slayer whom has been wandering the city armed with a metal baseball bat. The story is really an excuse for many softcore couplings offering rubber gloves as well as the like. an usually downbeat wallow in the perverse, perhaps offering evidence that while one can take the filmmaker out of the slum, the reverse is often untrue. Maya Shiraki movie stars with the omnipresent Takeshi Ito and Yoko Fujita.

The film tells a story about a woman and her relationship with the family of her husband's, in particular her husband's younger brother and father-in-law. Her husband, on the other hand, has an affair with a dominatrix and is obsessed in S&M games.

Lesbian-themed tale of a schoolgirl who entices her gullible (not to mention slightly warped) female teacher by positing that they are predestined to dance together on the day the world ends.

Three bad high school students who are preparing for the graduation ceremony are caught up in a battle with Yakuza after encountering a Korean in Japan and Yuki Yappa who has been married to him. A youth adventure drama with a powerful depiction of "Japan" and "Asia" that emerges from various nationalities.

Minako, a Tokyo housewife, is depressed that everyone has an active life outside the home except her. Taking her inspiration from TV reports of a hitch-hiking chainsaw murderer, Minako decides to spice up her life by finding a young lover and running off with him by faking her kidnapping. While her family frets and worries, Minako has a wonderful time. Eventually, though, she decides it's time to go back to her family. Her lover, however, isn't ready for the fun to end, and Minako's fake kidnapping soon becomes all too real.

As his investments in the stock market fail, a man finds himself in serious debt to a lecherous loan-shark named Uchiyama. The man's wife hires herself to Uchiyama to buy time for the husband to pay off the debt. After Uchiyama uses the wife to provide companionship for his mentally-impaired son, she is hit by a car, and her husband falls into despair and illness. Their daughter works as a nightclub dancer, intending to save the money to help with the debt. After her father's suicide, the girl decides to get revenge.

A "short" boy who is unable to perform satisfactory sexual acts. His childhood sweetheart understands him and a new life begins, but it does not go well. A sincere story that warns against the superficial liberation of sexuality. The lead actress, Eri Nakaoji (exclusive to Kuniei), is lovely. Original story and production by actress Matsui Yasuko. One of the best works by the prolific director Satoru Kobayashi.

In the wake of the social unrest caused by the 1923 Great Kanto Earthquake, two female sumo athletes, Kiku and Tokachi, and an anarchist group called the Guillotine Society, spark an unlikely connection.

A critique of the Japanese family, seen here as militaristic, absurdly incestuous and patriarchal. Nihilistic destruction by the young ones seems to be the only way out. This should be seen as Wakamatsu’s answer to Nagisa Oshima’s The Ceremony, made in the same year.

A boy, abandoned by the whole family - torn apart by obsessions, perversions and problems of every kind-start looking at everything around him through the eye of the camera, so that nothing can seem flat and keep up hope. The meeting between these two lonely souls will bring unexpected consequences.

A black clad woman murders a man that she had just met by chance through a phone sex club.

　A sequel to "Destroy the Evil", it follows the protagonist of the previous film, who is pursued by the yakuza and moves to a rural town in Chiba. The story concludes with a tragic ending, but as the title "Keep running, keep running!" At the end of the film, there is an image shot of the protagonists who continue to run, as the title suggests, and this is a strong statement to the director himself and to the audience.

There was a man, a novelist, who had unavoidably turned his hand to sensual novels for a living, but now made a living out of it. One morning while jogging, he picks up a lighter and cigarettes dropped by a bookstore owner, and decides to deliver them to the store. When there is no answer to the doorbell, he goes to the back of the store and looks in the slightly open window to find the owner tying up a female clerk and engaging in SM play.

1580. Ninja Kotaro gets killed by the evil Hattori Hanzo after he discovers that the local shogun and his son aren't related. It's up to Kotaro's nubile and innocent virginal daughter Kaede to exact revenge on Hanzo for bumping off her dad. Kaede learns various lethal sexual martial arts techniques in order to accomplish this particular goal.

A road movie about three persons traveling in a campervan on their way to Tokyo, Hamamatsu, and Kyoto. The film is based on the story of the heroine, a young girl named Momo, who was a member of the "21 Faces of Kaijin" gang involved in the Glico Morinaga Incident, and the film's ideas are remarkable, including the use of a tape recording of the actual incident.

The story centers on a gangster living in the city and the woman who lives with him, the people they meet, and the incidents they become involved in. The entire film has a whiff of American New Cinema, while the outlaw-like protagonist played by Kazuhiro Sano is reminiscent of the chivalrous films of the past.