Escuela Internacional de Cine y Televisión (EICTV)

Three stories about men and women in terminal situations.

Alfa, a famous porn actor, must deal with his fears, insecurities and memories when he begins work on a new film without Yerry, his former partner in life and porn. On his first day of shooting without him, Alfa tries to act as in the past but can things be like before? Javier Ferreiro's short film reflects on the difficult decision of letting someone go to move forward. ALFA is framed in the context of gay porn cinema in Cuba where pornography is banned but, little by little, it's growing up an underground industry impulsed by foreign tourism.

A young man reflects on his evangelical past imposed by his father when he begins to frequent an Adventist church in Cuba. The young man's existential resonances have repercussions on the fragile reality that this film essay attempts to construct.

Having Cuba as a background, decadent and in crisis, in a black-and-white lacerated by the Caraibic swinging rain, Alex and Edith, a couple in their 30s, live their love story made of small daily gestures, stories from the past, nostalgia, and a deep intimacy.

A love letter that unites Brazil and Cuba. In the film Travessias, the director goes on a long journey seeking to understand the feelings and transformations of a person who is close to her. On this path of doubts and concerns, she meets Justin, a trans man who will help her on this journey. With a poetic and self-referential look, the director invites us to rethink our own prejudices and limits in relation to the others.

An intimate portrait of the lives of Delvys and Carlos, siblings who live alone with their elderly mother in a rural part of a small Cuban town. The film portrays a family engulfed in their inner worlds. Between the sacrifices they make out of love for those who are present, and their longing for things that are absent, they struggle to find meaning as they reflect, contemplate, and carry the weight of existence, trying together, to move forward.

An experimental film about that one hypnotic moment on a regular, unassuming Tuesday when one realizes that time has stopped and the universe has been sucked into a single smile.

Anolan is a soloist in a string orchestra, lives with her mother and dedicates every minute to his profession; Enmanuel is a peasant resident in the Sierra Maestra who devotes his time to working the land, accompanied by his young son.

Under the threat of a hurricane pending over the city, Lubrini is looking for his lover, who disappeared in the streets of Havana.

Poetic documentary about the experience of a Puerto Rican film student in Cuba.

In a fumigation centre in Havana, Mayelín has the ungrateful task of fining citizens who infringe sanitary regulations. Apart from fighting dengue and disciplining her workers, she is, herself, under pressure from one of her supervisors. Mayelín must learn to find her place within a stressful and sometimes aggressive work environment.

A group of Cuban fishermen work along the Cuba-US marine border area (Santa Cruz del Norte-Florida), and are involved with political issues and ongoing illegal migration. Yet they try to continue their normal fishermen life in their country.

A version of El Estatola del Campo's poetic Faust of the Poet (1886) integrates the major trilogy of Argentine gaucho poetry, is proposed here in a faithful version and integral.

In an attempt to get closer to his father, Leonardo starts filming him in his everyday life. As days go by, Esteban notices the camera and uses it as a means of communicating with his son.

Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.

The daily life of an Afro Cuban family and the relationship between the carnal and the spiritual in the sacrifice of their last cock to eat.

Every weekend at an illegal drag show in the suburbs of Havana, Sebastián, a 17-year-old Cuban teenager, transforms into 'Mila Caos', his empowered, flamboyant alter-ego. When he returns to his daytime self, Sebastián suffers from his mother's indifference, dreaming that one day she will see him on stage for who he truly is.

Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.