Suomi-Filmi

A young woman leaving the city for the countryside encounters the concept of voluntary work - new to her. She eventually does good, and charms the employer at the same time.

A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.

Eetu, a wealthy homeowner, attempts to seduce Leena Kosken. But when austere log boy Erkki meets her at midsummer dances, Leena falls in love with him instead. Jealous, Eetu turns the men of the village against Erkki and the Tukki people.

Esko makes a bet that he will marry the first young woman he encounters. This turns out to be Kirsti, who promptly turns down the proposals. But when she finds about the bet, she agrees to marry him in order to get her revenge.

This Finlandia Survey compilation ranges from 1949 to 1961, and in it we get to see glimpses of news from both local matches and early international matches. The brave Finns play against the infamous Soviet Red Machine, Canada, and a team of journalists.

“Tukkijoella” (Log River – 1928). Films of this genre gave the Finnish cinema and the viewing public one of its most popular characters – the lumberjack (tukkijatka, tukkipoika, tukkilainen) who at his most heroic hour becomes the log-roller or the shooter of rapids (koskenlaskija). The significance of this character in Finnish film is comparable to that of the Cowboy on American cinema. He is the pioneer, the wanderer, the adventurer. He negotiates the frontier, he is an embodiment of the conflict between wilderness and civilization.

The heavily indebted baron Henrik von Hagen, who loves women and partying, learns that his former lover, Russian ballerina Madame Vera Vasiljevna, will be visiting Finland. They are reunited and sparks fly. But Vasiljevan's new hobby casts a shadow over their romance.

Based on Finnish mythology; Lemminkäinen woos the fair Annikki and battles the evil witch Louhi. Louhi kidnaps Annikki to compel her brother to build for her a Sampo, a magical device that creates salt, grain, and gold. When Lemminkäinen fails to recover the Sampo, Louhi steals the sun, plunging the world into frozen darkness.

In Eastern Finland, in Liperi to be exact, Anna-Liisa Ihalainen asks her husband Antti to get some matches from the Ihalainen household. Unfortunately that trip takes a little longer than expected...

The romantic musical comedy Kaikki rakastavat is a key work in Finnish film history since it was the first feature film of Valentin Vaala as the house director of Suomi-Filmi and the film which launched the most beloved screen couple of Finland, Tauno Palo and Ansa Ikonen.

A handsome young womanizer deceive tender women by first charming them and then taking their money.

Silent military propaganda film by Erkki Karu, later followed by the musical revue film Meidän poikamme merellä ("Our Boys at Sea", 1933) and Meidän poikamme ilmassa – me maassa ("Our Boys in the Air – and We on Land", 1934), both of them also directed by Karu. The film comes with a orchestral accompaniment arranged by Raine Ampuja in 2005, based on the original score by Lauri Näre and Emil Kauppi, which in turn was based on traditional Finnish military tunes.

A traditional misunderstanding story with an unfounded suspicion of jealousy at the beginning. Childhood friends Kati Jorma and Jalmari Karvi do not reveal their previous meetings to their suspicious spouses.

A couple move to an isolated house where – according to local legend – an ancient curse is rumoured to assail its inhabitants. Based on the novel by Väino Kataja (1914).

A lone fisherman dreams of mermaids

The new steward of Siltala ends up falling in love with the beautiful widow of the house. Their romance is endangered by misunderstandings and the fact that the estate of Siltala is swimming in debt. And the new steward isn't quite what he seems to be.