40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.
A fascinating insight into the role of the intimacy co-ordinator, told through behind-the-scenes access to new queer French TV show Split.
A pioneering post-war female film director, an instigator of the New Wave who was honored by Hollywood in her own lifetime, Agnès Varda has become a source of inspiration for a whole new generation of young filmmakers. With movies like Cléo de 5 à 7, Le Bonheur, Sans toit ni loi, Les Glaneurs et la glaneuse, she created a quirky, open to the world, sensitive to the disenfranchised, often silly body of work. Always one finger on the pulse, she shook everything up, including cinema itself which she refused to constrict to pure fiction or long-form films.
Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.
Three young soldiers who participated in a military operation that went wrong, and where one of their comrades had been killed before their eyes, are placed in a luxury hotel to prevent a scandal. Despite the help of a young military psychiatrist, the young trio denies any trauma suffered, but they seem to hold a very different secret truth.
In April 1918, a disease of unknown origin swept across the five continents. In 18 months, millions of lives that had not been taken by the war were swept away by a virus that would cause the worst pandemic in history: the Spanish flu.
Recent scandals have revealed the brutal methods often imposed on young top athletes. Fueled by numerous testimonies, this damning investigation reveals the workings of a system which sacrifices children in the name of economic interests and glory.
A genius inventor of forms, Alain Resnais is one of the fathers of cinematic modernity. This portrait, rich in archives, looks back on the career of a discreet non-conformist, in perpetual search of renewal to fight against anxiety.
A man is caught in a storm of public rage when a 16-year-old girl mounts a social media campaign accusing him of murdering her father.
Nadia is a 45 year old female professor at the University of Tunis. She is married and has a daughter of 18, Sarra. For some time, Nadia has problems in her marriage also symptoms of menopause are inseparable. The physical and psychological state deteriorates inexorably Nadia.
On June 6, 1968, Robert F. Kennedy, a staunch opponent of racial discrimination, supporter of the inhabitants of poor neighborhoods and advocate of social change in America, was assassinated. With him, a whole section of the American dream collapsed. From the day of President Kennedy's assassination to the death of his brother Bobby Kennedy at the Ambassador Hotel almost five years later, this film looks back at the journey of this statesman and his fight for a fairer world. Four years during which Bobby Kennedy will fly on his own wings in politics, four years that will leave an indelible mark on American politics, four years full of hope, but ending with a bitter disillusionment. Through unique archives, discover a new portrait of this Kennedy that everyone called "Bobby".
A old red riding hood, badly crippled after killing a monster many years ago, comes up with a sinister plan to dance again.
This was a very human account of the lives and deaths of Marie Antoinette and Louis the XVI focusing primarily on Marie. It is an account of their lives from birth to death and the circumstances leading to the downfall of the French monarchy.
In Iasi, Romania, from June 28 to July 6, 1941, nearly 15 000 Jews were murdered in the course of a horrifying pogrom. At the time, the programmed extermination of European Jews had not yet began. After the war, the successive communist governments did all they could to ensure the Iasi pogrom would be forgotten. It was not until November of 2004 that Romania recognized for the first time its direct responsibility in the pogrom. All that remains of this massacre are about a hundred photographs taken as souvenirs by german and romanian soldiers, and a few remaining survivors.
