Jürgen Brüning Filmproduktion

In Fucking Different XXX, the passion for explicit sex scenes brought eight international filmmakers together. The eight short films shot in Paris, Berlin and San Francisco are about intensive sex, quick sex, romantic sex, funny sex, the first sex, and the last sex. The range goes from a lesbian quickie in the toilet, a bloodthirsty orgy, romantic fisting all the way to wet teenage dreams. The result is a never seen before look upon sexual tastes and varieties, far from clichés, with a fresh and sometimes humorous approach.

Inspired by the Baader-Meinhof gang, a film about modern left Germans adopting the culture of extreme left-wing movements of the 1970s. East German dominatrix Gudrun leads a revolutionary gang of her own in Berlin. She has her men kidnap the son of a rich businessman in order to gain publicity. Claiming that heterosexuality is a social norm created to keep the people down, she forces her male minions to have sex with each other.

In Ger(wo)many, when an army of radical females is preparing for a final revolution and a utopian world without men, a young male soldier arrives seeking refuge at the convent.

This documentary, composed of various video clips and footage, is an exploration to search for some missing jigsaw pieces in history. Something that turned someone into a hero, or an absolute jerk. Some things are hidden under the carpet, from Hiroshima to Teresa Teng to the Space Race, an Olympic and the moon.

Several short films about troubled gay youngsters who attempt to resolve their psychological issues through bizarre fetish play or sinister self expression.

A writer, researching a book on male prostitutes, finds a young man to serve as a guide on the streets of Los Angeles.

Perth has broken off contact with Poon. What's left are images showing the two men's sex life. Perth was Poon's twenty years younger cinematographer.

A cute, openly gay latin boy's hormones go into overdrive when his hunky cousin Angel arrives for an extended stay. The two explore the young and sometimes dangerous gay scene in the city's Latin neighborhood, with surprising outcomes.

Kôichi is a Japanese man living alone in Berlin. He has no job and hardly any friends. One night Kôichi meets Ryota at a bar which is also a sex club. Ryota came to Berlin to visit a German guy whom he had "met" on a dating app. His high hopes for romance (and marriage?) were quickly crushed since the German was only interested in sex, not even letting Ryota stay for the night. That is why Ryota ended up spending the night in the dark room of the sex club. Kôichi for some reason lets Ryota stay at his apartment. They have sex. Ryota goes out almost everyday to get laid by various local men and comes home to Kôichi's. Increasingly caught up with a strange feeling that is akin to but not quite frustration or curiosity (needless to say, it is not even close to love), Kôichi gradually gives himself up to sex with Ryota.

Since his wife's death, Arthur, a peculiar and severe surgeon, cloisters his teen daughter Lucille inside a strange mansion. Desperate, Lucille tries to commit suicide and ends up with her face completely burned and bandaged. Arthur, with the assistance of his aunt, prepares a weird skin graft in order to give back Lucille a face, a face that resembles his beloved and deceased wife. To take care of her, the father then hires Joan, an attractive nurse with a somber past. Lucille and Joan start a forbidden and passionate love affair.

Far from the dictates of current female beauty, MBMR focuses on these other bodies, those who take up space, those that stain, biters, those who devour, those who enjoy as they wish, those age and those who are self-transformed, those who are free and wild. Eight people will reveal the magic,cruel, sensuel, powerful relationship they have with their own bodies.The adventure of the film is multiple: the objective is to give voice and images to women whose body or sexuality is seen as non-standard, unseen or without speaking. The film will highlight possible resistance through an intimate portrait gallery, collective experimentations, tantra, exchange of fluids and knowledge, rituals… A strong political and feminist manifest about body politics, female sexuality and its representation, as well as about diversity and various forms of sexual desire.

A black cloak of forgetting, suppressing and covering has descended on the events that took place in Bangkok in spring 2010. Black as the night of complete darkness in which the film opens. Two men are in a fishing boat talking. One feels more than one sees that the seawater around them is warm and smooth, teeming with brightly-colored fish. By night, the rubber plantation also comes across as enticing and full of secrets, until lurid reminders of the bloody massacre flash up.

Cyrus, Tim and Erik were high school buddies and meet again ten years later. They spend the summer together in Brazil. All of them are occupied in dealing with experiences from their past but new developments make them face their inner conflicts and their friendship with each other

"Welcome to the Fisting Club, The first rule of the Fisting Club is : Never talk about the Fisting Club."

This film is a provocative essay about the eroticism and political antecendents of the gay skinhead lifestyle.

Science fiction about a future Thailand. Futuristic, experimental, homo-erotic and with elements of a political essay. With a richness of themes and impressions that wouldn’t get past the censor in Thailand. The maker doesn’t mince his words and isn’t afraid to look reality in the eye.

A young girl that regularly dresses as a boy falls in love and seduces a young girl that has no clue that her lover has the same sex. When the girl introduces 'her boyfriend' to her father he becomes skeptical and unmasks the fraud. Even though, strangely, the feelings of the girl persist without shifting, the father does not allow them to ever see the other again. Furious and delusional the 'boy' develops an adventurous plan to prove his true 'masculinity' to the father of his lover.

What feeds nationalist ideologies? They always arise in 'empty time', asserts this documentary on nationalism in Thailand. Various groups are observed, from military cadets to pupils at a Christian boarding school. They have very different views on politics or religion, but they share boundless confidence in the monarchy.

A film like an Impressionist painting; the kind of paintings to have titles like 'urban view from the artist's studio'. The film is largely set in the film-maker's home and the street in the provincial town of Aichi where he lives. Minor everyday incidents are observed poetically; the melancholy mood of the images is boosted by serene electronic music. There is no dialogue; the sound track only comprises streets sounds as well as the music. Loose, almost nonchalant impressions of the street or of cloudy skies are juxtaposed with posed, almost photographic mildly homo-erotic portraits of friends of the film-maker. Tarch Trip is made up of fragments of a cinematographic diary, which are however not edited chronologically. Two periods alternate. One is characterized rain and dark cloudy skies. The other is sunny and repeatedly accompanied by three friends