Thanhouser Company

Dr. Henry Jekyll experiments with scientific means of revealing the hidden, dark side of man and releases a murderer from within himself.

Elaborately produced version of the well known George O. Nichols fairy tale interrupted by just a few summarizing intertitles, with Florence LaBadie and Harry Benham.

The banker's motto was "Everyone for himself, and me first." The girl believed in aiding the poor, and that wealth carried with it an obligation to be useful. The father admired his beautiful daughter, even though he did not understand her. She loved him and hoped some day to bring him to a realization of his duty toward the helpless and friendless. Before this happened, the clash came.

Convicted in a revolutionary conspiracy, a man rashly states that he wishes never again to hear the name of the United States of America. The judge grants him his wish, sentencing him to life aboard a ship always at sea, aboard with sailors under orders never to let him hear of his homeland in any way. The punishment nearly destroys him, while changing him thoroughly.

Silent adaptation of Shakespeare's King Lear

This twenty-three episode serial told the story of a secret society called The Black Hundred and its attempts to gain control of a lost million dollars.

With The Old Curiosity Shop and David Copperfield, both released in 1911, and Nicholas Nickleby in 1912, Thanhouser established itself as producer of the best Dickens adaptations in American film.

A love story filmed in Long Island Sound with a stowaway and a shipwreck.

A crippled little girl lives at home with her parents and her grandmother. She loves her grandmother deeply, but her parents can't get along with the old woman, and the girl is torn between both sides.

Family drama of a a brother and sister who take to the stage.

A rich man who finds that there is nothing in life worth living for, is worse off than is a poor man in similar circumstances, for the poor man may he stricken with ambition, and in a last effort to attain fame and fortune, redeems himself. But what is a man to do if he has wealth, health, all the fame he desires, and yet looks at life through blue spectacles?

A sileny film drama directed by Eugene Moore.

A messenger boy is wrongfully accused of stealing bonds worth $20,000. Luckily, a film crew is shooting a moving picture on the same street. The boy's accuser has the police convinced, until...

The rich little boy was seven years old and his kind Mama gave him a birthday party. A number of children were invited to wish him happy returns of the day, and it promised to be a wonderful event in the child's life. There was one unpleasant feature, however, the host's cousin, who was a boy of twelve, therefore almost venerable, was a guest, and the prettiest little girl of the party soon became this old man's darling. As the rich little boy had favored her with his attention it angered him to find that he had a rival in his elderly relative.

Southern California locations vividly suggest both elemental pre-Roman Britain and classical Rome. An energetic cinematic pacing and intimacy show rapidly improving narrative technique and realism well beyond the limitations of the stage. Especially cinematic are the bedchamber scene in the first reel, with its intimate cinematography and acting and special lighting effect, and the battle scene of the second reel, considered very effective in its day.

The son of wealthy Lord Stanley has been disinherited and thrown out of the house. He travels to Africa for fortune and adventure. He finds a job as a horse groomer for a wealthy family. He falls for the family's daughter, but they are against the relationship because they think he's just a common stablehand.

The police set out to take down a gang of counterfeiters, using every tool they have including police dogs.

Over the years, an old gardener observes a romance develop between a young boy and girl. 20 years after they break up over a misunderstanding, the old man is instrumental in bringing them back together again.

The beautiful young princess was weary of the formality and ceremony that encompassed her. She had read many books and from them had gained the idea that she would be far happier as a simple peasant than as the daughter of a king. Even when it came to her marriage, she sadly reflected, there was no romance, for her father had arbitrarily contracted an alliance for her with a neighboring prince. The princess was taking her drive one day and was sadder than ever. She saw a wedding procession issue from a neighboring cottage, and pityingly watched the mother of the bride, as she turned into her lonely house. In a field the princess noticed a young farmer, and she thought that the romance which had been denied her might come into her life. By the time she had returned to the castle she was pitying herself exceedingly, and had decided to be a caged bird no longer.

The Fisherwoman was a dominant force on the busy island. Unaided she had built up a large business. She employed many fishermen, and grew wealthier year by year. She sent her son to college, and was delighted when he told her, after graduation, that he intended to help her in the work. Contact with the world, however, had spoiled him for a narrow life. The mother divined his secret, although he tried to hide it. "You have your own life to live, my son," she said, "and I would not keep you here." The son's progress in business was rapid. One day word came from him that he was married, and he sent his mother the picture of his bride. Time passed, and the son wrote more and more infrequently. The mother believed that the wife was to blame, and although they had never met, she began to hate her bitterly.