Stemal Entertainment

Capturing life on the Italian island of Lampedusa, a frontline in the European migrant crisis.

A tale of the three funerals for the ashes of Italian writer Luigi Pirandello intertwined with a murder committed by a young Sicilian immigrant boy in 1930s Brooklyn for what is described as a surreal, grotesque, complex narrative.

Summer 1943, Piedmont, Italy. Milton loves Fulvia who plays with his love: she only likes the depth of his thought and the letters he writes to her. One year later, Milton has joined the Resistance and fights beside other partisans. He learns during a conversation that Fulvia was secretly in love with his best friend Giorgio, a partisan like him. Milton decides to go find Giorgio in the Langhe region of Italy with all its misty hills...But Giorgio has just been arrested by the Fascists.

Inmates at a prison in Rome rehearse for a performance of Shakespeare's Julius Caesar.

At the age of six, Dario watched the first moon flight on television. Since then, his dream has been to fly to the moon. For the past three decades, the ingenious but difficult by nature Dario has been building a moon rocket on his farm in the Veneto countryside. Rocket technology represents applied rocket science. Its systems are implemented on a do-it-yourself basis, and the components are obtained from the local hardware store. The initial launch of the rocket fails. The neighbor's cornfield burns down and Dario is arrested. When his Roman brother Mario hears about the difficulties that have arisen, he goes to his aid and Italy's secret space program finally gets going.

It's 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied - tragic, bizarre, funny or erotic - but common and central to all of them is the female presence.

A portrait of those trying to survive in the war-torn Middle East.

The year is 2085 and no human babies have been born in over a decade. A group of disparate survivors respond to a call to meet in Athens, where the film’s narrator Jo, a boy of African descent, aims to make the world’s last film.

A young woman and a voice on the phone in a cold, mountainous southern Italy. A thin line separates needs from desires and imagination from reality.

A chronicle of the first nine years of Pope Francis' pontificate, including trips to 53 countries, focusing on his most important issues - poverty, migration, environment, solidarity, and war - while also giving rare access to the public life of the pontifical.

Documentary about Indigenous peoples' profound connection to nature and their struggle against deforestation, a grave threat to their way of life and the ecosystem they call home.

The film is freely inspired by the great actress Monica Vitti, but it is in no way a biopic. It is the story of a woman named Monica, who loses her memory and regains meaning in her life.

It often happens that at the moment of death, transgender individuals are shorn of their identity. Their families are ashamed, the funeral takes place in secret, and on the tomb appears the name the deceased had before their transition, in one stroke nullifying the entire life path they had chosen. The same thing happened to Antonia. Her girlfriends gather to honor her memory and give her back her identity denied. In telling her story, the film’s stars, all drawn from the variegated transgender world, interweave the narrative with tales of their own lives, experiences, and memories.

A community of monks lives isolated from the world, practicing martial arts and following the master’s strict rules. This film investigates their harsh life and the flow of Time in unique closed environment, to approach deep motivations of a radical choice, and the reasons that pushed the monks away from their affections.

Anne, director, adapts L’Assommoir by Emile Zola in which she plays the role of Gervaise. The story echoes her life. Through the mise en abyme, the film challenges this troubling border where fiction merges with reality, where life merges with art. A naturalistic approach that questions intimacy, drama, passion, work and love, and seeks to shed light on the most vibrant, timeless and universal aspects of life.