Neely, an aspiring actress, gets a role on the popular soap opera "Heartbreak Hospital." Her neighbor, Lottie, a huge fan of the show, can't differentiate between fiction and reality, and her obsession and jealousy endanger Neely and the rest of the cast.
The Jean Tinguely Museum in Basel, Switzerland, designed by Mario Botta, opened in 1996, five years after the Swiss sculptor's death. META MECANO is a poetic depiction of the genesis of this mono-graphic museum, from the builders' first plans and Mario Botta's designs to its construction and the assembly of Tinguely's fragile mobile sculptures. In interviews with Mario Botta, Tinguely's wife Niki de Saint Phalle, museum director Pontus Hultén and Tinguely himself, the film goes on to explore the mission of museums and of art in general today. META MECANO is a unique document on the significance of the artist Jean Tinguely and on the role that museums play in our day and age.
BREATH MADE VISIBLE is the first feature length film about the life and career of Anna Halprin, the American dance pioneer who has helped redefine our notion of modern art with her belief in dance's power to teach, heal, and transform at all ages of life. This cinematic portrait blends recent interviews with counterparts such as the late Merce Cunningham, archival footage, including her establishment of the first multiracial dance company in the U.S., and excerpts of current performances such as "Parades and Changes" at the Georges Pompidou Center in Paris, to weave a stunning, inspiring account of one of the most important cultural icons in modern dance.
Exposes the dichotomy between Exxon's elaborate publicity of its clean up operation and the actual effectiveness, giving voice to the people most affected by a tragedy, and the community that lives with the effects of the spill.
SENIORS ROCKING explores the artistic process of Anna Halprin, a pioneer of American dance, through the prism of a single performance piece. The film retraces not only the development of a unique performance with residents of two nursing homes in California, but also the growth of a sense of community when fifty people from various walks of life, age 65 to 100, join forces to perform together. Underpinned by Halprin’s conviction that dance and movement embolden people to express themselves and, in so doing, change their lives, the film shows how the participants give physical shape to their personal messages for posterity through a dance performance.
Auguste Rodin's sculptures and Anna Halprin's creative process come together in this poetic film of dances in nature.
