A woman tries to cling onto dimming links to her past after inheriting a pygmy slow loris from her long-estranged husband; meanwhile, her niece prepares for marriage as the young couple ponders their gloomy future together. The present and the complex echoes of Vietnamese history are entwined before a contemplative and poetic perspective.
An overbearing mother who lives with her son in a secluded crocodile farm spirals out of control when her son sees the outside world and falls for a girl for the first time.
Mi-Thet (18), has suddenly become the head of her household after the military causes the collapse of her family. She moves to Yangon to work in a garment factory, but she has not been paid for several months. Though she wants to join her coworkers in a strike, she is paralyzed by a traumatic past. In time she realizes that the real problem facing women like her is not money but the lack of rights. At last she finds the strength to change her situation.
18-year-old Nacho shows up at the cow-breeding ranch of his father, Marcos, whom he barely knows. His father is worried because, as the ranch’s yearly auction is approaching, several cows are dying without explanation. When Nacho finds out who is killing the cows and why, he understands the magnitude of the problem. Cornered by distress and confusion, he’ll have to choose: being a boss or not being a boss. Perpetuating the system, the insult, the abuse, or refusing to take part in it.
It is winter in Damascus. Sana, with her eight-year-old son, is living alone while her husband works in Saudi Arabia. When Sana runs out of gas to cook or warm the house, she takes a day off to find a gas cylinder. From there begins a trip into the surroundings of Damas, where Sana finds herself brutally confronted with the effects of war.
